You may remember that a few weeks ago I had a comprehensive eye exam and my pupils were dilated. I could hardly see, but I was in a crocheting mood. I had just finished a secret project in Galler Yarns Inca Eco (which will soon be available as a free pattern on their blog), so I had a small bit of yarn left.
I decided to try making a broomstick lace mug hug. I was going on the theory that broomstick lace loops were large enough to (sort of) see with my totally blurred vision, and that I can more or less make a single crochet stitch in my sleep.
This week I dug through my button collection until I found some that would fit through the broomstick lace “button holes.”
I’m not generally much of a mug hug user, but recently MC has been picking me up some iced tea on Saturdays before I teach my crochet and knit classes. The cup usually gets pretty “sweaty” so I thought a mug hug might be in order.
Going through my button collection reminded me of my nan, who loved to make crochet bears years before anyone in the U.S. had heard the term “amigurumi.” Today’s giveaway is inspired by her, and is your very own bear making kit!
Voodoo Maggie’s Adorable Amigurumi is a collection of crocheted amigurumi patterns by Erin Clark, who is also known as Voodoo Maggie. The book starts with an introduction from Erin that feels very personal. The next section, Basics, includes the photos with explanations of the basic crochet stitches, crocheting in the round, increasing, decreasing, and tips and tricks. After this section, there are 18 patterns, each of which includes numerous photographs of the assembly process.
The designs are quite cute and, like most amigurumi patterns, are made with simple stitches which could easily be created by a relative beginner to crochet. My favorite patterns are Sy Clops, Marcel Monkey, Cal I. Mari, and Bella la Batty.
Erin’s personality is all over this book, and it is pretty clear that there was little editorial intervention from the publisher and that she is a self-taught designer. This has advantages and disadvantages. On the plus side, the book is very personal and you feel like you are spending some time crocheting with Erin. She has a preference for pastels, variegated yarns, and non-traditional colors. For example, the samples of Lucy the Giraffe are in a pastel variegated yarn, a light green yarn, and a pink yarn. Erin likes to share step-by-step assembly photos, which could be helpful to a crocheter new to amigurumi assembly. She enjoys creating set pieces for her finished critter pictures, so you get to see the amigurumi in their “natural habitats.” Erin has her own shorthand for writing up patterns, which is used throughout the book, and she always includes the approximate amount of yarn you will need in each color by weight (but not by yardage).
On the down side, there is limited punctuation. For a true beginner, this could lead to confusion in understanding the written instructions in the Basics section. The photography is very casual. For example, a critter might be made with a pastel, variegated yarn and posed behind some grass. The picture of this critter might then be taken at an angle during a sunny day. Without a photo from the front, and in the absence of photo editing software to adjust the lighting and colors, it can be hard to understand how the final project (especially facial features) should look. Finally, while Erin’s pattern shorthand is completely consistent throughout the book, it doesn’t follow standard pattern writing conventions. In general, the writing style and photography make the book seem self-published.
Other comments: I have my standard paperback complaint – the book doesn’t lay flat so you can’t read and crochet at the same time. If you are already a fan of Voodoo Maggie patterns, the book is more economical than purchasing 18 patterns from her Etsy shop. If you have the basic crochet stitches down but need a little more guidance for assembly, this book is also a great fit. If you love to support independent designers (and publishers) and are comfortable with a DIY feel to the book, this would also be a great addition to your amigurumi collection.
Since this is a pattern book and not a technique book, I would recommend that you take a look inside of it before buying to see if you would be likely to make these projects. If you are shopping online, you could also check out Erin’s Ravelry designer page, the Voodoo Maggie shop on Etsy, or her blog to see her style before deciding whether this book is right for you.
If you are easily irritated by the absence of commas, you should avoid this book altogether :).
Since I already have several amigurumi books and I prefer technique books to pattern books anyway, I’m giving away my review copy of Voodoo Maggie’s Adorable Amigurumi. This giveaway is open to all readers who enter by 11:59 p.m. Eastern on Tuesday, April 3.
Leave a comment telling me about your experience with crocheted animals. Need some inspiration? You can tell me which animals you’ve made, if you’ve received any as gifts, whether you have a favorite crocheted animal designer, whether you prefer to use realistic or fantastic colors…
I had a very productive crocheting and knitting weekend.
First, I picked up my sister’s blanket for the first time in weeks. I finished all of the borders and the edging. All told, the blanket has 375 granny squares (3 rounds each), four rounds of gold granny borders, one round of black granny borders, and seven rows of granny stripes on both the right and left side in black. I finished the entire blanket with a plain black single crochet edging.
I estimate that it took me 56 hours to crochet the granny squares (based on timing myself and averaging 9 minutes per square) and about seven hours to finish the borders and edging. But here’s the scary part. I timed myself weaving in the ends one row at a time. Any guesses on how long it takes per row? (Insert dramatic pause while you guess.)
FORTY FIVE MINUTES. Yep. One full episode of The X-Files on Netflix. And this blanket has 15 rows. So all told, I think it is safe to say that I will have spent about 75 hours on this blanket – the equivalent of two full-time weeks at work. I will definitely be including a priceless parody gift card when I present this blanket to my sister!
My little broomstick lace project from last week now has the ends woven in but I haven’t made a decision about which buttons to add yet. I have such a large button collection (inherited from my grandma) that I sometimes get overwhelmed by choice!
I am almost finished with the knit beanie I started during Knit and Crochet Design Week.
This has been a fun project because I’m working on it along with the students in my Saturday knitting classes. I will probably wait until Saturday to pick it up again.
As for reading, I’ve only finished one more chapter in The Girl Who Played with Fire. I’ve been at work late a lot this week so I haven’t had as much reading time as I would like. I definitely need to finish it soon because my loan from the library ends on Sunday, and it will magically disappear from my Kindle Fire whether or not I’ve read it!
If you’ve been reading my blog for a while, you may know that I live in a New York City sized apartment and have pretty substantial collections of yarn and needlecraft books. Every time I find a super awesome book, I have to get rid of another slightly less awesome book to create space on my bookshelf. Since one of my WIPs today is the beanie I designed, I thought this would be a good time to give away my gently used copy of Design Your Own Knits in 5 Easy Steps by Debbie Abrahams. It got bumped off the bookshelf once Custom Crocheted Sweaters: Make Garments that Really Fit rocked my world (review here).
This giveaway is open to all readers who enter by 11:59 p.m. Eastern on Monday, April 2. To enter:
Leave a comment telling me about your design process. Have you ever designed your own project or have you been following patterns faithfully? (Please, do answer this question. Otherwise I won’t know if you are just stopping by to talk about my current projects without entering the giveaway.)
I’m a big fan of Obaachan’s Amigurumi Animals (reviewed here), which is a great design primer. I’ll admit that I was worried this book would just include a bunch of patterns with limited design information. I was pleasantly surprised by the contents.
25 celebratory amigurumi patterns along with tips and tricks for creating amigurumi projects.
Cute, Cute, Cute: Welcome to the Wonderful World of Amigurumi (Introduction)
Tools and Materials
Crochet Techniques (illustrated)
Creating Happy Gifts
Chapter 1: Happy Holidays
Chapter 2: Love and Romance
Chapter 3: Springtime is Here!
Chapter 4: Party Time!
Chapter 5: Congratulations
Index and Resources
What I like about this book:
The introduction, which explains the Japanese cultural/historical context that led to the emergence of amigurumi as an art form.
The “Making Shapes” section, which provides instructions on how to create various 2D and 3D shapes in crochet, including discs, teardrops, balls, rectangles and squares, rectangles with curved corners, and rhombii.
The pattern instructions, which include both written directions and international stitch symbols.
The directions for “making up” each project (assembly), which are very detailed and also include structure diagrams.
The tips in the crochet techniques section, which include illustrated instructions for the “magic ring.”
What I didn’t like about this book, or what’s missing:
There is no yardage listed for the patterns. (A typical instruction would be “Red (yarn) for the nose.”) This makes it hard to assess whether you have enough scrap yarn for a particular pattern.
The book is a paperback and doesn’t lay flat, so it is difficult to read and crochet at the same time.
Some of the gift ideas seem to be a real stretch. For example, a pattern for corn on the cob with a vegetable kebab, while cute, doesn’t seem to me like a “gift to celebrate (a) special occasion.” (I should say that I don’t have an outdoor grill. Perhaps if I did, the start of the grilling season would be significant enough to warrant amigurumi kebab gifts.) This doesn’t impact my interest in the patterns, but it does mean that some of the projects don’t seem to fit with the theme of the book.
New Year Dragon (for Chinese New Year)
Big Heart Bear and Red, Red Rose (for Valentine’s Day or anniversary)
Dancing Daffodils (for spring)
Great Job (for promotion)
Happy Cute is more than just an amigurumi pattern book. It shares some of the context for amigurumi in Japan, along with design tips and crochet techniques. The ideal reader is interested in learning more about crochet design, loves amigurumi, and/or likes to make cute, crochet gifts. The book is clearly written, so it would be appropriate for a beginner with some basic crochet skills. I give this book 4 out of 5 stars.
This giveaway is open to all readers who enter by 11:59 p.m. Eastern on Sunday, April 1. To enter:
Leave a comment telling me about crochet gifts. What are your favorite to make, receive, or give?
It was just a year ago today that I finally gathered up the nerve to start this blog. (You can read my first tentative post here.) Since then, I’ve made some great internet friends, learned a lot about using WordPress, and have pushed my own boundaries in crochet, knitting, and photography.
To celebrate my blogiversary, and to thank all of my readers, I’ll be hosting a giveaway every day for the next week!
As each giveaway goes live, I will update this post with the link, so check back for details! And thanks so much for your support during the past year.
I’m using two skeins of Donegal Tweed that I bought on sale at The Yarn Company. If you’ve never tried intermeshing (also known as interlocking crochet or double filet crochet), here are the resources I recommend to get you started:
James Walters and the late Sylvia Cosh have two handouts (#18 and #19) which specifically deal with intermeshing.
This is a helpful photo tutorial, but I can’t identify the author.
This will end up as a felted cozy of some sort. One option is to turn it into the camera case I’ve been talking about for ages. It somewhat matches my freeform crochet flower that is supposed to be the “focal point” of this case whenever I actually make it.
On the other hand, I’m contemplating buying a new camera, and there is no way MC will use a case with a giant flower on it. I could make it into a case for my Kindle Fire instead. I already have an awesome hand sewn case by Gothic Creations, so I don’t actually need a cover for it, but I thought it would be cool to have a crocheted one anyway.
Time seems to be flying by faster these days. I know they say that time flies when you’re having fun, but doesn’t it also fly when you are busy at work (even if no fun is involved)? I haven’t shared an update on my craft goals in two weeks! Here’s my progress since my last update.
I’ve reached a bit of a crossroads in my Crochet Master Classproject, which I posted about on Sunday. I’m contemplating branching out into some other projects, like intermeshing and broomstick lace, as part of my exploration of “beyond the basics” in crochet.
Since my last post, I’ve added a border to my sister’s blanket. I’d really love to finish it by the end of the month – so please send your happy thoughts my way!
Professional craft goals
3) Publish at least five patterns.
I just finished a crochet design for Galler Yarns, which I’ll be writing up, testing, and editing soon.
4) Blog at least twice a week
I have actually kept up with this. Since my last update (14 days ago), I’ve posted on 11 days. For the next week or so, I’ll also be posting daily on the Galler Yarns blog as part of the Inca Eco Blog Tour.
Do you ever stumble across a blogger or designer and wonder how it is that you haven’t seen her work until that moment? This is exactly how I felt when I first saw Deborah Atkinson’s Snowcatcher blog. I literally couldn’t understand how so much time had elapsed without me being exposed to her amazing snowflake patterns and jaw-dropping outdoor photography.
Underground Crafter (UC): How did you first get started crocheting?
Deborah: My grandmother began teaching me when I was about 8 or 9, I think. I saw her making a beautiful lace table cloth, and I wanted to learn how to do what she was doing.
UC: What inspired you to start designing, in general, and designing snowflakes, in particular?
Deborah: When I was young, we couldn’t afford patterns. Or hooks, needles, yarn or thread, for that matter. I had a new little baby sister coming, and I wanted to make booties and cute little dresses for her. From the beginning, my grandmother had encouraged me to experiment with different shapes and stitches. My first pair of baby booties was something I came up with on my own, with no pattern, because I had no pattern, and I wanted to feel like I had some ownership in this new little baby coming into our home! I think I ripped the first bootie out about four times before I finally came up with something I liked. This process at that age also taught me to try to remember what I’d done so I could create a duplicate that matched perfectly, and it taught me to “read” my stitches.
Incidentally, my first hand-sewn dress for my baby sister was a pattern I made up, too. It didn’t fit her, but the bright pink and green flowered fabric was cute, and years later she used it on a doll.
I was attracted to my grandmother’s lace crochet, in particular doilies and round table cloths, since I was a young girl. She tea-stained her thread with real tea. She made a few snowflakes, too, and she stiffened them with sugar water. I loved the way her tiny, delicate snowflakes twirled on the Christmas tree.
My first purchased snowflake instructions were in Volume 9 of McCall’s Design Ideas Christmas Knits and Crochet, way back before the publishing date was included on the bottom of every page and before restrictions on how items made with the patterns could be used (or sold). The lone copyright information on the inside title page includes six different years from 1976 to 1982, so I assume this particular magazine was published in 1982, but the patterns originally may have been published in any of the regular, non-holiday issues before that. The snowflake patterns were designed by Sister Norma Gettelfinger back in a day when such credit was rarely ever provided (and other patterns in the magazine are not credited to designers), so we are very lucky to know the snowflake designer! These snowflakes were not stiffened, and there were some other things about the patterns I did not like, such as tri-picots that didn’t match on both sides. I also didn’t like slip stitching to the next point to start a new round, which always made the starting point bigger, bulkier and uglier than the rest of the points. I hated that and was always trying to come up with a way to get around that method of starting new rounds.
I made so many of Sister Norma’s snowflakes, I eventually memorized my favorite patterns, and after making too many of each one, I began modifying them to my own liking. I also began collecting every snowflake pattern or collection of snowflake patterns I could find. I didn’t want my snowflakes to be alike, so I searched for variety everywhere I could find it.
Several years ago, I found the remnants of a Snowflake Monday group on Yahoo, and I petitioned to join the club but never received a response. I’ve been told Noel Nevins, whom I believe may have started the group, had less and less time on the internet as the years went on, and I’m not sure anyone on Ravelry or Crochetville has heard from her in several years. I eventually found some of the group members on Ravelry, and I began participating in 2009, I think. Marikamum on Ravelry tried to keep the Snowflake Monday, or Snowmon, as it has become known, going on Ravelry and Crochetville for a while when the Yahoo group faded, and I eventually sort of tried to keep both groups active until my own leisure internet time became more limited.
Marikamum asked if I would share my patterns after I announced I liked the weekly pattern selections featured but wanted to do my own instead of the same flakes everyone else was making, and that’s how my own Snowflake Monday was born. I started my blog as a way to keep my family up to date and to share cycling training tips with other beginners and non-super-hero athletes. I had no idea when I started the blog it would become a snowflake pattern collection, but I’m delighted it did. Now Snowmon is a combination of passion and challenge; I sometimes wonder how long I can keep coming up with new ideas, and that’s what keeps me going.
UC: When do you make snowflakes? How do you find the time?
Deborah: I’m very fortunate to have access to public transportation, which gives me up to three hours per day on bad weather days to do whatever I want without interruptions, other than sardine-like conditions from time to time, fare checks and the occasional obnoxious passenger. This is when I do most of my crochet, knitting embroidery and hand-quilting. I’m also very fortunate my husband likes to do most of the driving when we travel, and he doesn’t mind if I work on stuff while he drives. I also try to make use of every unexpected free moment I may find. I work on snowflakes in waiting rooms, in long lines, even when I have to stand on the train because they are so portable, quick and mostly easy. I always have thread and hooks in my purse, and I generally carry something to work on in my backpack when I’m camping and on overnight cycling or backpacking trips. (UC comment: As someone who also does a lot of my crocheting during my [much shorter] commute, I can completely relate to Deborah’s experience.)
UC: The outdoor photography on your blog is incredibly striking. Other than suggesting that we all move to Colorado, what photography tips can you share with the rest of us?
Deborah: Thank you! (blush!) I do think ALL snowflake aficionados should move to Colorado so we can have snowflake bees every Monday night together in the same room. Or maybe we could do a snowflake retreat in the mountains, and everyone can enjoy the very same mountains and wildflowers inspiring my creativity! Seriously.
I taught photography in college and in community education for a while, and I think one of the tips most of my students got the most from was from a demonstration my own professor, Ray Kissiah, gave during my first year of photography classes. He pulled out a dollar bill, cut a tiny circle out of the center and told us that’s what we were doing every time we took a photo and didn’t use every bit of the space in the frame. He said we see the little focusing circle in the middle, and that’s where we place our subject, and we don’t try to get closer, so we waste all the outside of the dollar. He encouraged us to spend the entire dollar, not just the center of it. I didn’t cut up money when I did my demonstrations, but I did cut up photos the very same way to demonstrate what he tried to teach.
UC: Where do you generally find your creative inspiration?
Deborah: Literally everywhere. Tiles on the floor, wildflowers, real snowflakes, long miles of solitude while hiking, cross-country skiing or cycling, quiet moments, music, sparkles, danglies, new thread and yarn colors, new thread and yarn color combinations, paint swirls, rainbows, butterflies, snowflake books, Christmas advertisements and wrapping paper, red rock, quilts, quilt shows…
UC: This year, you are again offering a PDF version of your snowflake patterns in exchange for a donation to the National MS society. I think this is a truly wonderful way of sharing your work while also raising funds for a favorite charity. Can you tell us more about this project, and how you were able to organize it.
Deborah: We owe this to the economy. I’ve been doing the MS-150 since about 2002, and I would host an ice cream social at work to raise the required amount each year. Some years I did well, some years I had to put some of my own funds in, and I always bought the ice cream from my own money. Then the economy tanked, and the office where I worked laid off about 20% of the employees. I’ve never been able to raise enough money since then. What they say about desperation being the root of all creativity is true. I needed to come up with a way to raise more money, and offering a collection of snowflake patterns seemed like it might work, so I tried it, and it worked! I still do the ice cream social, and most of the portraits I do are on the barter system, with recipients contributing to multiple sclerosis instead of paying me, but most of my donations are coming from snowflakers. (UC comment: I purchased Deborah’s pattern book last year, and it was fabulous, and I plan to do the same this year.)
UC: Do you have any crafty blogs or websites to share?
Deborah: Oh, my gosh, yes, but the list would go on forever. Most of my very favorites are listed on the sidebar of my blog, and what isn’t listed there is in my subscription list on my blog profile page. I also enjoy Crochetville and Ravelry when I have time, and would highly recommend both to anyone just getting started or wanting to go in a new direction. Both sites also are great for inspiration, support, resources, trends, hot topics, keeping up with needlework in the news, and friendship. There truly is a bond when people who are passionate about something get together, even if only online. I also recommend the snowflake groups on Ravelry and Crochetville. Both are free and full of inspiration and support.
Thanks so much for stopping by Deborah, and sharing some of your passion for crochet and crochet snowflakes!
I’m sad to say that I didn’t make much progress on the WIPs I shared last week. (Ok, sad is probably an overstatement.)
I did finish my top secret project in Inca Eco yarn, which will eventually transform into a free crochet pattern on the Galler Yarns blog. I still need to type up the pattern and get it tested and edited. Last night, I had an eye exam and had my pupils dilated. I couldn’t see anything close up for the rest of the night, but I was happy to discover that I could still crochet fairly well. I used some of the leftover yarn from my secret project to start something small with broomstick lace.
Not too shabby, especially considering I could hardly see anything!
I have been thinking a lot about broomstick lace lately. Perhaps because spring has sprung?
Why yes, this is the same picture I posted on Saturday. Trust me, there are a few more rounds done now.
The bullion stitch blocks – or, rather, the yarns for the bullion stitch blocks – are still in hibernation. And I’ve decided not to restart my crocheted camera case yet, because I may be getting a new (different size) camera.
The book has 18 chapters, each focused on its own master and a different technique or skill. I have no new project to show today, so I thought I’d assess my progress so far.
For each of these chapters, I’ve completed a small project.
For each of these chapters, I’ve done some experimentation, but haven’t completed a project.
Progress: I interviewed Carol. I have done tapestry crochet in the past, and hope to have the time to design my own project before the end of June using Carol’s specialized tapestry crochet graph paper.
Progress: I did a bit of a cheat with this chapter. I didn’t really want to make a full aran crochet garment. So I had some fun designing a scarf using a twisted crocodile stitch instead. I might make another small project using post stitches, which are really the backbone of the crocheted cables used in aran crochet. Since I’m very confident in my post stitching abilities, I may also just skip an in depth review of this chapter.
Progress: I used Joyce’s scarf pattern from the book to start another cat blanket and learned I prefer the look of Tunisian crochet entrelac. Eventually, I will finish up this cat blanket using freeform techniques.
Progress: I created a filet chart but didn’t get very far. Filet crochet is not really for me, so I frogged the project. (The yarn was later transformed into my Irish Rose Choker.)
Progress: I actually completed several bullion stitch blocks using patterns I found on Ravelry. I planned to donate these to charity, but recently learned I couldn’t use black yarn for the intended recipient. The blocks are frogged and new yarn has been selected. I plan to finish several blocks by the end of the month to donate.
Progress: Bruges lace was one of the new-to-me techniques in Crochet Master Class. So far, I’ve just made a swatch, but I see amazing design possibilities in the future. I’m not sure if I will have time for another project in Bruges lace before the end of June, though.
That leaves Hairpin Lace with Jennifer Hansen, Overlay Crochet with Melody MacDuffee, Bead Crochet with Lydia Borin, Painted Crochet with Ferosa Harold, and Wire Crochet with Nancie Wiseman. I’m interested in learning these different techniques, but I haven’t really decided on a project. I’m the most intimated by the hairpin lace and wire crochet. I’ve never been particularly good at jewelry making, and I don’t use lace very much in my own crocheting.
I’ve recently been considering adding two techniques which aren’t covered in the book: intermeshing, also called double filet or interlocking crochet, and broomstick lace. These are crochet techniques which are less common and quite interesting. I happen to also be teaching these techniques in one of my on-going crochet classes :), so that is definitely a motivator to create handouts and projects.
My goal in working through this book was to stretch my crochet skills and also to share the amazing diversity of crochet with my readers. In that sense, I see these two additional techniques as fitting in quite nicely. On the other hand, these techniques are not actually part of the book, and perhaps I should try to run through all of the chapters before adding other techniques.
What do you think?
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