Category Archives: New York

Free Pattern: A Little Bit of Bling Shawl

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

Last January, I crocheted some samples for the Kollabora booth at Vogue Knitting Live.

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

One was this shawl. Kollabora was looking for something that really stood out in the booth, and I held two strands of yarn together – a metallic and a mohair yarn. I’m really excited to be able to share the pattern for A Little Bit of Bling Shawl with you today. It’s a great project for the last days of summer – it’s quick and airy, but the long fringes provide good coverage in case it gets chilly.

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

This post contains affiliate links.

This summer, I spent a great afternoon with my friend Carlota Zimmerman from the Creativity Yenta (interviewed here). In addition to being a contributing blogger for the Huffington Post, she’s a great model! After a trip to the Metropolitan Museum of Art, we went to Central Park to take some pictures, and Carlota had some great poses wearing this fun and flirty design. (Her tagline isn’t “Just your average sexy force of nature” for nothing!)

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

A Little Bit of Bling Shawl Crochet Pattern

by Underground Crafter

02-easy 50 3-light 50 US terms 50This quick and easy triangular shawl makes a great transitional weather accessory. 

The metallic yarn brightens up any outfit! Adjust the length of the fringe to fit your personal style.

Finished Size: Adjustable. Photographed sample is 50” (127 cm) wingspan length, 13.5” (34 cm) spine length, excluding fringe.

Materials:

  • Galler Yarns Kismet (87% polyester/13% nylon, 8 oz/227 g/1,400 yds/1,280 m) – 1 cone in 901 Silver, or approximately 300 yds (274 m) in any metallic, light weight yarn.
  • Galler Yarns Flore II (75% Kid Mohair/15% Wool/10% Nylon, 1.75 oz/50 g/100 yds/91 m/) – 3 skeins in 1005 Ocean, or approximately 300 yds (274 m) in any light weight mohair blend yarn.
  • L-11/8 mm crochet hook, or any size needed to obtain correct gauge.
  • Yarn needle.

Gauge: 10 fdc = 4” (10 cm) across.  Exact gauge is not critical for this project.

New to crochet? Check out Improve Your Crochet, an online class at Craftsy.

Abbreviations Used in This Pattern:

  • beg fdc - beginning foundation double crochet - Ch 4, turn, sk 3 sts, insert hook in next ch, yo and draw up a loop, yo and pull through 1 loop (counts as ch 1), [yo and draw through 2 loops] twice.
  • ch – chain
  • fdc – foundation double crochet - Yo, insert hook in ch 1 from previous st, yo and draw up a loop, yo and pull through 1 loop (counts as ch 1), [yo and draw through 2 loops] twice.
  • ea - each
  • rep - repeat
  • sc - single crochet
  • sk - skip
  • sl st - slip stitch
  • sp - space
  • st(s) - stitch(es)
  • yo - yarn over
  • * Rep instructions after asterisk as indicated.

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

Pattern Notes:

  • Entire shawl is crocheted holding one strand of ea yarn together.
  • Shawl is worked from top (long) edge with steady decreases to point.

Pattern Instructions:

Shawl

  • Holding one strand of ea yarn, beg fdc, 103 fdc. (To adjust size, fdc in multiples of 4 sts until the appropriate length for long edge is reached.)
  • Row 1: Turn, *ch 5, sk 3 sts, sc in next st; rep from * across. (26 ch-5 sp)
  • Row 2: Turn, *ch 5, sc in next ch-5 sp; rep from * across.
  • Row 3: Turn, sl st in ea of first 3 ch in first ch-5 sp, *ch 5, sc in next ch-5 sp; rep from * across to last ch-5 sp, sk last ch-5 sp. (Decreases 2 sets of ch-5 sp)
  • Row 4: Rep Row 2.
  • Rep Rows 3 & 4 until 2 ch-5 sp remain, ending after Row 4.
  • Row 5: Turn, sl st in ea of first 3 ch in first ch-5 sp, ch 5, sc in next ch-5 sp. Fasten off. (1 ch-5 sp)
  • With yarn needle, weave in ends.  Spray block if necessary.

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

 

Make and attach fringe

  • For each fringe, hold one strand of each yarn together and cut strands to 40” (100 cm).
  • To attach fringe using crochet hook, insert hook into st or sp indicated below.  With fringe strands folded in half, insert hook into fold (center) of strands, pull up a loose loop in st or sp. Yo with both halves of the fringe strands and pull through the loop. Tighten loop to hold fringe in place.
  • Starting from top corner, use crochet hook to join fringe to third ch of first ch-5 sp. Working across angled edge, *sk next ch-5 sp, join fringe in next ch-5 sp; rep from * across edge until 2 ch-5 sp before center point.   Attach 2 strands of fringe (2 strands of ea yarn/4 strands of yarn) to center point, sk next ch-5 sp, rep from * along edge. Trim fringe as necessary.

If you like this pattern, share the love on Ravelry!

© 2014 by Marie Segares (Underground Crafter). This pattern is for personal use only. You may use it to make unlimited items for yourself, for charity, or to give as gifts. You may sell items you personally make by hand from this pattern. Do not violate Marie’s copyright by distributing this pattern or the photos in any form, including but not limited to scanning, photocopying, emailing, or posting on a website or internet discussion group. If you want to share the pattern, point your friends to this link: http://undergroundcrafter.com/blog/2014/09/01/free-pattern-a-little-bit-of-bling-shawl. Thanks for supporting indie designers!

A Little Bit of Bling Shawl, free crochet pattern by Underground Crafter

 

Blog and website relaunch!

This post contains affiliate links.

I’m so glad to announce the relaunch of my blog and the Underground Crafter website! As my regular readers know, I’ve been experience technical issues on the blog for the last 18 months due to issues with my former web host. I knew I needed to switch, but it was tough to put aside the amount of time required to ensure a successful relaunch and I was terrified of the switching process.

Thanks to the hard work of dear MC - and many phone calls and chats with the team at InMotion Hosting (special shout out to Mike R, Larry W, Kayla H, Alex K, and Jacob M), I made the transition late last week. I am so impressed with the folks at InMotion and their fabulous customer service that I even became an affiliate! (Cue MC saying, “I told you so.”)

My former web host gave me a hard time about leaving and had set up many things improperly, so I needed to spend several days cleaning up the blog on the back end. I have to thank Carlota Zimmerman, the Creativity Yenta (interviewed here), for her tough love last week when I was very frustrated and even considering web site abandonment! I decided to change my perspective by looking at the downtime as an opportunity to do some much needed website overhaul.

I know I’ve posted a link to this video on the blog before. I guess “Back in the New York Groove” is the song I most associate with triumphant returns ;).

You’ll notice a few new things around here. Thanks so much for your patience and support, and I’m very excited to be back! And, starting tomorrow I’m celebrating my return with a week filled with new free patterns and giveaways, so stop back for your chance to win.


Interview with crochet designer, Julie Yeager

Today, I’m happy to share an interview with crochet designer, Julie Yeager. Though we’ve never met in real life, Julie and I share a love of crocheting squares and blankets, and of participating in crochet related swaps. (And, I learned from the interview that we also both grew up shopping for yarn at Woolworth’s in New York City!)

Julie can be found online on Ravelry (as JulieAnny, on her designer page, in the Julie Yeager Designs group), Facebook, and Etsy. Julie also founded and co-moderates the Vanna’s Choice Fan Club group on Ravelry, where you can exchange squares and share pictures of your Vanna’s Choice creations. All photos are copyright Julie Yeager and are used with permission.

This post contains affiliate links.

Julie Yeager

Julie Yeager.

Underground Crafter (UC): How did you first learn to crochet?

Julie: I’m honored to talk to the readers of Underground Crafter, Marie.  Thanks for having me. (UC comment: Thanks so much, Julie! It’s great to have you stop by.) I’ve been knitting and crocheting since I was about 8; learned from my Irish mom. I would buy sparkly crochet thread at Woolworth’s in the Bronx, NY and crochet clothes for my Barbies. I also made my share of granny square tote bags. I didn’t do much crafting in my 20s, maybe an occasional baby blanket, but then when I became a stay at home mom I got back into knitting and machine knitting for my daughter. When I discovered Ravelry I got into crocheting afghan squares and blankets and I haven’t stopped.

Stained Glass Afghan Square

Stained Glass Afghan Square, available as a 12″ block pattern.

UC: What inspired you to start designing? 

Julie: I’ve always changed patterns to my taste and would put together the yoke from one sweater with the sleeves from another so I guess I’ve been “designing” a little for years.
I joined some afghan square swap groups on Ravelry and perfected my technique using the patterns of many great designers. Interweave Crochet magazine and the Crochet Me website sponsored a contest in which readers could submit afghan square patterns and the winners would become part of a published pattern called the Chain Reaction Afghan Project. I just picked up my hook and started playing around and submitted a few designs. Three of my designs were chosen and appeared in Interweave Crochet in 2010 – 2011. It was very exciting and the start of my designing career. With Ravelry, I had a great tool to share my work.

Hexaghan

The Hexaghan, including 6 different hexagon designs joined together into one 61 hexagon blanket.

UC: You primarily design crocheted squares. What is it about square motifs that you enjoy designing? 

Julie: I love designing 12-inch squares in aran weight yarn and I have an obsession with Vanna’s Choice. I like the modern look of large scale stitching and I feel like a sculptor with my hook in hand. Fitting my idea into a 12-inch square and getting it to square is very satisfying. My squares are small enough to design and crochet quickly, and I enjoy writing a clear pattern that is easy to follow. I also like an unfussy and repetitive design; as a pattern-user I do not like to have to constantly refer to the instructions and I want my customers to enjoy themselves. Also, there are no fitting problems with blankets.

Catalina Afghan Square

Catalina Afghan Square, a free pattern available in both 9″ and 12″ sizes.

UC: Most of your patterns are self-published. What do you see as the advantages and challenges of self-publishing? 

Julie: With Ravelry and Paypal and a head full of ideas, it is easy and stress-free to work this business around my life. I have a full-time job as a Registered Nurse and am raising a 16-year-old, so I can write and publish patterns around my schedule. Although I would love to have my patterns in magazines and books, for now I find this a great outlet for my creativity and am very happy with how it’s going. It is not for everyone; you have to be a jack-of-all-trades and competent with designing, writing, proof-reading, and know your way around the internet. No editors or publicists on my staff, haha.

Tangled Web Afghan Block

Tangled Web Afghan Block, a 12″ square design.

UC: You’ve hosted several Mystery Crochet-a-Longs. What do you enjoy about using this format to release your patterns? Do you have any tips for designers who want to dip their toes into the MCAL waters? 

Julie: Mystery Crochet-a-Longs are a fun way to draw interest to my patterns. I am lucky to have a base of fans who trust me and are willing to blindly follow where I go! I can only do it about once a year because designing, crocheting, and writing and proofreading a pattern for a whole blanket is very time-consuming! I need a compelling idea to keep my interest through the work! My fans seem to enjoy it and it keeps them interested in my new work. It also brings new fans. I’ve kept the Mystery’ghan free for participants and then later I put the pattern up for sale. The finished projects become a marketing tool. I’m always a little nervous hoping that people will like it after they’ve invested their time and money into a “Mystery.” My only advice is that you have your pattern fully tested before you start.

Garden State Afghan

Garden State Afghan, which Julie originally offered in June, 2013 as a MCAL design, includes eight 4″ squares, four 8″ squares, and two 12″ square patterns.

UC: What are your favorite crochet books in your collection?

Julie: When I first started swapping afghan squares, Jan Eaton’s 200 Crochet Blocks for Blankets, Throws, and Afghans was my favorite. I also worked my way through a few other square reference books, like 101 Crochet Squares by Jean Leinhauser. I love Edie Eckman’s Around the Corner Crochet Borders for finishing after I have a pile of squares to join! I sometimes use The Crochet Stitch Bible by Betty Barnden for stitch inspiration. I try to invent my own stitches these days!

Sun Catcher Afghan Square

 

Sun Catcher Afghan Square, a 12″ block.

UC: Are there any crafty websites you visit regularly for inspiration or community?

Julie: I am a Ravelry addict and check in there several times a day. I like to check the Hot Right Now pattern list and I also check in with my group to see if anyone has any questions or if anyone has posted an awesome photo. :)

In Treble Afghan Square

In Treble Afghan Square, a 12″ block.

UC: What projects do you have coming up this year?

Julie: I am currently working on the pattern for my next Mystery-Ghan and hope to have that ready for a June 2014 start. Stay tuned to my Ravelry board for information on that. Clues will be given out over a six-week period and you will have a complete afghan finished!

Thanks again for stopping by, Julie, and I wish you and your fans the best for a fun summer Mystery-Ghan!

Interview with Gale Zucker

Today, I’m sharing an interview with Gale Zucker. Many knitters know Gale as a knitwear/knitting photographer, but Gale is also a designer, teacher, and photojournalist. We attempted to meet up for an interview at Vogue Knitting Live back in January, but schedules were too crazy all around, so we opted for an email interview instead. (Gale was nice enough to stop by and say hi while I was working a shift at the Michelle’s Assortment booth, so we did get to officially meet.)

You can find Gale online on Ravelry (as SheShootsSheep and on her designer page), on her knitting blog, She Shoots Sheep Shots, on her website, as @galezucker on Twitter and Instagram, on Pinterest, and on her Facebook page.  You can read more about her Photography for Knitters workshops here. All photos are copyright Gale Zucker and used with permission.

This post contains affiliate links.

GailZucker

Gale Zucker.

Underground Crafter (UC): How did you first get started knitting?

Gale: I grew up in an extended knitting family. You’re female? You knit..and crochet, embroider, sew, you name it. The sound of needles clicking (always the metal ones) is the sound of my childhood. I really don’t remember who taught me first, it was either my grandma or mom. I knit as a little kid (poorly and impatiently), and then off and on through high school. Crochet was really big then for me, too. I did a lot of other crafts also. I like to make stuff. In college, knitting settled in as my go-to habit. I have been known to go off on other crafting binges, but I always have something on the needles. And..even though I keep saying knitting in answer to the questions in this interview, I also mean crocheting. Not trying to dis my hooking friends!

Putney Mountain Vest

Gale’s photo of the Putney Mountain Vest pattern. (Read more about her shoot here.)

UC: What first drew you to photography and photojournalism?

Gale: Here’s another “since I was a kid” answer, coming right up! I’ve always loved the storytelling power of photography, and memorized Life magazines that were around when I grew up. I started college majoring in Environmental Sciences but spent more time playing around in a darkroom than in a science lab. I switched to journalism school, with a photojournalism major. I wanted to be a newspaper and magazine photographer, which is what I did for many years before switching over to more commercial work.

Ellen

Gale’s photo of Ellen Mason wearing her Mary Rebecca pattern. (Read more about the shoot here.)

UC: When did you first combine your interests in knitting and photography?

Gale: I used to keep the two separate, although I kept on getting travel magazine and New York Times (at one time, my main client) assignments on farms. I jokingly started a portfolio called She Shoots Sheep Shots. Little did I know it would become part of my identity! In the early 2000s, I was doing a lot of work photographing youth at risk, youth in the judicial system, foster care for books and non-profits—and it was knitting that I turned to to de-stress when it got grim. I discovered knitting blogs and the new wave of knitting stores in 2004, so I started a knitting blog too and connected to new friends. (She Shoots Sheep Shots became my blog name).

In 2005, a book editor client asked me if I had any ideas for a book. She was expecting me to suggest some visually stunning social issue topic but instead, I blurted out that I wanted to travel around the country photographing fiber farms and show where yarn comes from, intentional lifestyles, and have knitting patterns at the end of each chapter. (The idea was met by dead silence and an incredulous “no..really? you don’t…..knit??!!) The timing for my idea was good, so we put together a book proposal that ended up becoming my book Shear Spirit: Ten Fiber Farms, Twenty Patterns, and Miles of Yarn from Potter Craft. Since then I try to bring knitting and photography together as often as I can.

Aria Tunic

Gale’s photo of the Aria Tunic pattern.

UC: You’ve collaborated with Joan Tapper on two books. How did you two come to work together? What was the development process like for the two books (or was each one quite a different process)?

Gale: As I was developing the idea and book proposal for Shear Spirit, I needed to bring a writer on board. I truly believe in recognizing your strengths and collaborating with others. I approached a very talented travel writer I’d worked with on some longer magazine assignments, and he agreed to jump in. Just as we were going to send the book proposal out to publishers, he called to say he’d had a great offer for two book contracts, and he needed to pull out of my proposal. He felt so terrible about it that he said was calling his former editor at National Geographic Traveler. He promised she would look at our idea and match me up with someone good, since she had the bead on all the top travel writers working. I was totally intimidated by her reputation. Ten minutes later, the phone rang. It was Joan Tapper, the editor from NatGeo saying “I love this idea! I’m not passing you on to anyone, I want to work on it with you!”

It was the best professional “blind date” ever – we work together really well and have become close friends. She lives in Santa Barbara, California; I’m in Connecticut. We email a lot, and talk on the phone, as we develop material. We have very different styles of working and organization but it make for harmony. (and she deserves an award for patience with me). Craft Activism: People, Ideas, and Projects from the New Community of Handmade and How You Can Join In was put together the same way Shear Spirit was–we research and compare notes via email and phone, we break down the tasks of making/producing a book and share them, we travel together to some of the subjects and separately to others. I am in awe of her writing and editing talents, and we have a very similar take on what we encounter.

Decibella

Gale’s Decibella pattern.

UC: How did you get started teaching photography classes for fiber enthusiasts?

Gale: After Shear Spirit was published in 2008, I received photo questions regularly from knitters saying how frustrated they were with their photography. It was at about that time that prices dropped on good quality digital cameras, and faster online connections became the norm for knitbloggers, and Ravelry started–so there was a real interest in better, bigger, eyecatching images for knitters & crafters. I noticed a lot of horrible photo information online–from overly tech-y talk that focussed on equipment more than vision, to outright misinformation, and mean-spirited blabbing.

I’d taught photography before at a community arts center and as a college level guest lecturer, so a workshop where I combine my two passions? No problem! I started teaching at some yarn shops- which I still do, all anyone has to do is email me and ask–and now I teach at knitting events, like VK Live and fiber festivals, and retreats. I’ve done two live webinars for Interweave, which were recorded and are available to watch and learn at your convenience.

Palisades Cowl

Gale’s Palisades Cowl pattern.

UC: Without giving away all of your secrets, can you share a few tips for those among us whose photos never quite live up to the beauty of our finished fiber objects?

Gale: My mantra: Keep shooting. Pixels are free. Which means, keep shooting, trying different angles, compositions, more shade, less shade, even if you think you’ve got the shot, try it from a different perspective. Don’t stop at “eh that’s good enough.”

The other most important tip is turn off your flash! There’s always a way to use natural light and keep that straight-on harsh flash from ruining your photos. Look for open shade, and light coming from the side to bring out texture.

mittens

Gale’s photo of mittens, a pattern by Theresa Gaffey.

UC: What are your favorite knitting and photography books in your collection (besides your own, of course)?

Gale: I have many photography books, and many knitting books but few that combine the two to suit my picky picky picky tastes. I had an Alice Starmore guernseys book that I loved–it didn’t matter that I’d never knit any of the sweaters in it, I wanted to be the woman in the images, on the rocky UK coastlines, and in pubs with sailors wearing oversized guernseys. That’s the kind of knitwear photography I love, that tells a story. Can’t take the photo journalist out of the knitter! The Brooklyn Tweed Wool People publications are gorgeously produced and I enjoy looking at Stephen West’s more recent images. They’re leaning more toward performance art with sweaters than anythng else, and are so very entertaining. And Carrie Bostick Hoge’s style is awesome. It’s way more quiet and subdued than I am, but I love it. I like anyone who creates a look and visual stamp–I find a lot of knitwear photography to be super formulaic. (Wow, I sound like a grouch. I’m not. You asked!)

Mason Dixon 2 , coats handknits, NYC

Gale’s photo of Metropole by Mercedes Tarasovich-Clark.

UC: Do you have any crafty websites you frequent for inspiration or community?

Gale: SO MANY! Working from a home office, the online crafting community is my virtual coffee break and offers world-class procrastinating opportunity to this world-class procrastinator. These days Pinterest is often my launch pad to explore other sites, I follow a bunch of designers & artists who lead me all over. I still read a lot of blogs. I love a well-written blog.

Mason Dixon 2 , coats handknits, NYC

Gale’s photo of Yank by Bonne Marie Burns.

UC: What are you working on now, in the crafting/knit world?

Gale: So much! I feel like spring has sprung and I’m busting out!. I’m shooting more for indie knitwear designers and sweater companies. I’m incorporating some video work in, as I did for my client, Camp Kitschy Knits. I am pretty sure that is the first and only retro knitwear stop action video with original banjo-uke and concertina soundtrack.

I’ll be at TNNA, so anyone interested in talking to me about a photo project or workshop or something new and different can grab me there–I think I may even book some location photo shoots while in Indianapolis. And I’ll booth sit for friends at the show.

I’m still editing and getting out a book from my epic photo shoots at the NY Sheep & Wool Festival in 2010 and 2012. Pretty sure it’ll come out by the end of summer as an ebook and print, perhaps in an unorthodox format. Sneak peek video, here.

Joan Tapper and I are brainstorming new book ideas. Stay tuned there!

And more teaching! Check on my Photography for Knitters page to see more listings-I am nailing some very cool ones down now. And, Fiber College of Maine, one of my favorite annual events, Sept 3-7th. This year I’m co-teaching a Savvy Storytelling – writing + photography blogging workshop with the wonderful Beverly Army Williams, and a workshop that is a Photo Scavenger Hunt. The Gees Bend Quilters will be teaching there this year so we will have PLENTY to look at with our cameras.

 

Thanks so much for taking the time to share your story (and your pictures) with us, Gale!

Interview with knitting designer, Michele Wang

Today, I’m excited to share an interview with a fellow New Yorker, Michele Wang. Michele is a knitwear designer, and if you’re a fan of Brooklyn Tweed, you’ve definitely seen her work before. In addition to appearing in numerous BT publications, Michele’s work has been published by Vogue Knitting, Quince & Co., knit.wear, and amirisu, and she also self-publishes as mishi2x. By strange coincidence, we both recently had a pattern published in the same issue of Pom Pom Quarterly (her Aureus cardigan and my Vintage Bullion scarf).

Michele can be found online as mishi2x on her website/blog, FlickrInstagramPinterest, Ravelry, and Twitter. She can also be found on her Ravelry Designer page and in her Ravelry group, mishi2x by Michele Wang Fans. All photos in this post are are copyright Michele Wang unless otherwise noted and are used with permission.

Michele Wang

Michele Wang.

Underground Crafter (UC): How did you first get started knitting and spinning?

Michele: I first started knitting at a friend’s suggestion. I had just ran my first (and only) marathon, and wanted to do something less physical to allow my body to heal. Since I had always been interested in fashion, textiles, and working with my hands it seemed to make sense. Of course now, not only does it make sense but I wonder why I didn’t take it up earlier in life. And spinning is a much more recent fascination. I think like most knitters, what hypnotized me at first was the sheer variety of yarns available. I would buy yarn because of the color and its softness. But once I learned more about different fibers and how they behaved I really became fascinated by untreated wools, different breeds of sheep and the beauty in their subtle differences. And this is what led me to spinning. I think yarn manufacturers are educating knitters more by specifying breeds that they use, but generally you see that it’s “wool”. I loved how roving is sold by breed and how I can spin up exactly the yarn I want.

Seedy Scarf by Michele Wang

Seedy Scarf, a free knitting pattern by Michele Wang.

UC: What was your original motivation to start designing?

Michele: My original motivation was the “cowl.” It’s so funny to think about that now since they’re so popular, but when cowls really hit the media in 2008, there weren’t a lot of fashionable cowl patterns out there. So I designed my first piece, the Eternity Scarf, which is a simple cowl and threw it up on Ravelry simply because I wanted to make one that I liked. After that, an editor at Vogue Knitting contacted me because I had been doing sample knitting for Shirley Paden. She asked if I’d be interested in submitting a design. Without her prompting, I probably would have never submitted a design to a magazine. But with her encouragement, I took the chance.

Eternity Scarf photo c Brooklyn Tweed

Eternity Scarf by Michele Wang. Photo (c) Brooklyn Tweed.

UC: How did you become involved with Brooklyn Tweed?

Michele: Jared Flood contacted me through Ravelry, and the rest is history. Sometimes I can’t believe how simple life can be, because usually it’s pretty difficult! But at the time I was working in technology at a law firm, and not very happy. Jared reached out and asked if I’d be interested in doing a design for his new yarn line, Shelter. The timing was perfect. I dug right in and ended up designing Perry for his very first edition of Wool People. Since we both live in the NYC area, we met up for coffee a few times and he mentioned creating a Design Team to put out seasonal collections. And it just evolved from there. Soon I couldn’t handle both jobs, so I left my career in technology and focused on designing for BT.

Fade photo c Brooklyn Tweed

Fade by Michele Wang. Photo (c) Brooklyn Tweed.

UC: Where do you generally find your creative inspiration?

Michele: I would say half of my inspiration is found online and on the streets in NYC. I do love fashion and I love seeing what trends are introduced on the runway, and what eventually sticks around and ends up on the streets for the everyday. I can spend hours on sites like Pinterest just flipping through pictures and creating fantasy moodboards. I also try to people-watch as much as possible. It’s easy to bury my nose in a book on the subway, but I try to take a look around and find design elements here and there. And, the other half would be the traditions and history of knitwear. I love flipping through old knitting books and looking at fisherman or icelandic yoked sweaters. My latest obsession is Designs and Patterns from Muhu Island. I am completely blown away by the use of color, and the intricate hand work. For someone like me who shies away from colorwork, this book has been very inspirational. It’s truly a celebration of color and I hope to incorporate more colorwork into my designs.

Wickerwork photo c Carrie Bostick Hoge

Wickerwork by Michele Wang. Photo (c) Carrie Bostick Hoge. Published by Quince & Co.

UC: You mention your love of wool on your Ravelry profile. Tell us what you enjoy about working with this fiber. Do you have a preference for working with any breed-specific yarns, too?

Michele: I love wool for so many reasons. The first thing that comes to mind is that it’s sustainable and earth-friendly. It’s just something you can’t ignore these days. Also, I love the life in it. It has just enough elasticity. It blooms to perfection after just a little light blocking. The bit of lanolin left on your hands while knitting is a natural moisturizer. And with minimally processed wool, I find that it ends up being softer than anything else. Too many yarns are soft in the skein, and then completely lifeless after it’s knit up. And, of course, I just love sheep. They’re absolutely adorable, and with so many different breeds you could never get bored knitting with just wool. When I went to Rhinebeck a few years back, I bought a few ounces of Ronaldsay. I didn’t know much about this breed, but I liked the color. So after I brought it home, I looked up the breed online and found out that it’s a sheep that lives mainly on seaweed. Of course, this breed fast became one of my favorites. But, as for spinning, I really enjoy working with Jacob. It’s an ancient breed and the resulting yarn is so textured and beautiful. (UC comment: You can read more about breed specific wool in this interview with Karia from Kouture Crochet, and, specifically, about the North Ronaldsay yarn and Jacob fleece I received in a wonderful swap from the owner of the Nude Ewe, a non-profit yarn company.)

Cables and Lace Beret by Michele Wang

Cables and Lace Beret by Michele Wang.

UC: What are your favorite knitting books in your collection?

Michele: All of my Japanese stitch dictionaries. I live dangerously close to Kinokuniya and go there often. I love swatching, and I can sit and swatch the stitch patterns from those books endlessly. (UC comment: I’m glad I don’t live dangerously close to Kinokuniya, as I’ve already demonstrated my inability to pass their booth at any event without buying books!)

Stonecutter photo c Brooklyn Tweed

Stonecutter by Michele Wang. Photo (c) Brooklyn Tweed.

UC: Do you have any crafty websites you frequent for inspiration or community?

Michele: I really enjoy Fringe Association. It has the perfect balance between modern and tradition, and Karen has such a beautiful aesthetic. But to be perfectly honest, most of the crafty websites I frequent are more focused on sewing and quilting. I love the Japanese Sewing Books blog, and Sew Mama Sew. They have really great tutorials, tips and sew alongs.

Thanks for taking the time out for an interview, Michele, and for sharing your love of sheep and wool!