If you’re new here, welcome! I’m a crochet (and knitting) teacher, designer, and blogger. In addition to sharing my own projects and news on my blog, I also do a lot of interviews (I’ve even won a few awards) and book reviews. I’m really honored to be part of A Tour Through Crochet Country. To celebrate National Crochet Month and my blogiversary, I’ll be sharing a free pattern and a coupon code today. But first I’d like to talk about how important the CGOA has been to me.
As many of my regular readers know, my grandmother taught me to crochet. After she passed away in 2007, I didn’t have any important people in my real life to talk with about crochet. Through my membership in CGOA and my involvement in the CGOA Professionals listerv, I’ve had the chance to virtually meet many wonderful crocheters who share the same passion for the hook as I do.
Back in 2009, I had the honor of being introduced to a wonderful mentor, Mary E. Nolfi, through the CGOA mentoring program. When I was first exploring design, Mary guided and encouraged me. Her primer is a great intro for aspiring crochet designers. I still remember my excitement at emailing her when my firstdesigns were selected for publication. I’m also grateful to Michelle Maks, yesterday’s stop on the the tour, for taking a chance on me when she was the editor of Crochet World. I’m thrilled to have another mentor, Marty Miller (March 13′s stop on the tour), who is helping me explore tech editing.
Now I’m paying it forward by volunteering to write book reviews for the CGOA newsletter and blog, and by serving as a mentor to another designer.
And, of course, CGOA membership has other benefits, even if you aren’t a professional (or aspiring professional) in the industry. You get a subscription to Crochet! magazine and discounts at national retailers as well as on CGOA educational offerings. You can also participate in your local chapter. (I’ve been a member of the NYC Crochet Guild for years and in addition to great monthly meetings where I can hang out with fellow crocheters, they also offer classes and local discounts.)
I’d like give a shout out to a some other CGOA members I’ve met (in real life or virtually) who have been very helpful to me in the past few years.
If you’ve made it this far, your probably asking yourself, “Didn’t she promise a freebie? And a coupon code?”
Charity Crochet for Project Night Night – The Rectangular Sampler Blanket
Early in my career, I worked for an organization that provided temporary housing for hundreds of homeless families, so the tour’s featured charity, Project Night Night, is really close to my heart. I wanted to create a project that was beautiful to look at but also fun to make.
The Rectangular Sampler is a variation on the traditional granny square that incorporates a stitch sampler to keep things interesting. There’s a granny rectangle, an alternating v-stitch, staggered puff stitches, and a fun edging.
(You can also find the pattern on Ravelry or Craftsy.) This makes a great stroller blanket or play mat, or even a baby or comfort blanket. I plan to donate my sample to Project Night Night, and I hope you’ll consider making one to donate to Project Night Night or a local children’s charity.
I crocheted the sample with Cascade Yarns 220 Superwash in Pacific, Cordovan, and Alaska Sky. None of these pictures really do justice to the Alaska Sky, which is a pale, sky blue. I like using non-traditional colors for children’s blankets because I think it gives them a longer life cycle when they can be displayed in more settings.
To celebrate National Crochet Month and my blogiversary, I’d like to spread the love by sharing a coupon code for my Ravelry shop. Use coupon code NatCroMo13 for a 25% discount on any pattern through April 1, 2013. Thanks for your support of independent designers!
Here’s the schedule for the rest of the tour. I’ve actually had the pleasure of interviewing several of the CGOA pros on this list, so I’ve also included the links to those interviews below. I hope you will stop by and check out all the posts (and tutorials, giveaways, and discounts) the other participants have to offer. Enjoy the rest of National Crochet Month, and don’t forget to enter my current blog giveaways here and here.
Today, I’m interviewing Amy Shelton, the co-owner of Crochetville and the current President of the Crochet Guild of America. Amy is obviously a big supporter of the crochet community, both online and “in real life,” and she happens to be a pretty busy lady, too – so I’m really glad she had some time to share her thoughts.
Underground Crafter (UC): How did you first get started crocheting?
Amy: My third-grade teacher taught all the girls in the class how to crochet. (The boys weren’t interested.) We sat on the back steps of the elementary school during recess and learned how to make the basic stitches. My mom and grandmother were both skilled crocheters, so they helped me further my skills and knowledge at home. By the time I was in 8th/9th grade, I was making all sorts of thread projects using my mother’s Magic Crochet and Decorative Crochet magazines.
UC: Many crocheters know you as one of the owners of Crochetville. How did you go from being a member to a co-owner?
Amy: It’s sort of a long story. Are you sure you really want to know? Actually, I think it’s a pretty interesting story, and I’m happy to share.
In 2004, my aunt sent me a gorgeous purple scarf using four or five different novelty yarns that she had crocheted for me as my Christmas present. I hadn’t crocheted much for several years, but the scarf made me pull out my old hooks. I searched for online crochet message boards and came across Crochetville in January, 2005.
At the time, there were fewer than 800 members and the site used free message board software. In February of that year, Donna Hulka (co-owner of Crochetville with me) had to move Crochetville to a new site host and new message board software due to the number of members and site visitors. I didn’t post much at the time, as I was admin for a message board for a small indie business in another industry.
In 2006, I became involved in helping run the site when someone with extensive message board admin experience was needed to help Crochetville make the transition from being a small site where everyone knew each other intimately to a much larger site with new members joining on a regular basis. Within a month of my involvement, Donna made me a co-administrator of the site.
As 2006 progressed, Crochetville continued to grow exponentially. The number of concurrent members and guests on the site meant we had to move from a shared server to a dedicated server, because our site volume was crashing the entire server. Crashing the sites of those businesses that share the server with you doesn’t tend to make you a lot of friends!
Dedicated server hosting plans are quite expensive. Donna and I decided it was time to turn Crochetville into a business so it could pay its own bills. We could no longer justify paying Crochetville’s operating expenses out of our personal household budgets. In January of 2007, we took the plunge and formed the legal entity of Crochetville LLC. We’re pleased to say that Crochetville LLC has been profitable from the very beginning!
We now have over 63,000 registered members and an average of 123,000-170,000 unique site visitors each month. Our periods of heaviest traffic tend to be the months of October through February.
UC: Sometimes joining an online community can be a bit overwhelming. What suggestions do you have for a newbie who wants to get her (or his) feet wet on Crochetville?
Amy: Crochetville is now so large (with over 2.4 million posts) that it can definitely be a bit overwhelming for people new to the site, especially if someone is also new to message boards in general. Crochetville is a very friendly community thanks to all of our wonderful members who spend time there every day. Here are my tips on how to make friends and begin to feel at home at Crochetville:
If you’re new to message boards in general, take the time to read our FAQ document. It has lots of information on how to navigate the forum, respond to a discussion thread, start your own discussion thread, and more.
If you’re just new to Crochetville, spend some time on the main page of our site. Make note of the different sections into which the site is organized. Read the folder descriptions so you’ll know where you’ll be able to find certain types of information. That will also help you know the best place to start a new discussion thread.
Before making your first post, spend some time reading through current posts on the forum. Once you’ve got a feel for the atmosphere of the forum, jump right in and post a thread to introduce yourself. Jump into any other discussions of interest. Our forum members are some of the nicest crocheters I’ve found. They’re always happy to welcome new members, answer questions, help direct you to patterns.
If you have a crochet business, take some time to read our general advertising policies. If you have an indie crochet business (pattern designer, hook maker, yarn dyer, etc.), read our free advertising policies. There are many different ways you can promote and advertise your business for free on Crochetville, getting your name out to hundreds of thousands of dedicated crocheters throughout the year. Indie businesses frequently have very limited advertising/marketing budgets, if they have one at all. We know it’s difficult to get the word out about your business, so we’re happy to provide an easy, free outlet to help you reach your target market of dedicated, enthusiastic crocheters. (UC comment: Thanks for sharing this great resource for indie crochet entrepreneurs!)
UC: You’re currently the President of the Crochet Guild of America – thanks for your volunteer efforts on behalf of the crochet community! How can crocheters become more involved with the CGOA or local chapters?
Amy: Serving on the board of the Crochet Guild of America has been an amazing experience. I’ve truly enjoyed the opportunity to help promote CGOA’s mission to preserve and advance the art of crochet. I encourage everyone to join the CGOA. The cost is only $35 per year and many benefits come along with membership.
For more information on CGOA, please visit the website. You can check out the list of member benefits here. One of the best things about CGOA is Chain Link, our crochet conference. Held twice a year, the conference offers crochet classes to suit every level of crocheter. There is also a show floor with vendors selling yarn, patterns, hooks, tools.
For those aspiring to become a crochet professional, CGOA offers a free mentor program to members. You can be paired with a crochet professional who will provide information, assistance, and encouragement to you. Members can also become involved at the national level by serving on various committees.
There are also many CGOA local chapters around the country. Most chapters offer monthly meetings where you can meet with others who share your love of crochet. Some meetings are informal sit-and-stitch events while other meetings may include classes, workshops, and other in-depth instruction. Many chapters also contribute to various crochet charities on a regular
basis. To find a chapter near you, visit this page. If there’s not a chapter near you, consider starting one. You can find information on how to start a chapter here. (UC comment: I also recently learned about the Cyber Crochet online/virtual chapter on Ravelry when I interviewed crochet tech editor, Juanita Quinones.)
UC: I’m sure it is hard to find time to crochet for yourself with such a demanding schedule. When you do have a few moments to crochet, what are your favorite types of projects to make?
Amy: It is sometimes difficult to find time to crochet, but I do my best to work crochet time into my schedule as often as possible, even if it’s only a short period each day. Garments and accessories are my absolute favorite things to crochet. I love to make tops, sweaters, jackets, shawls, scarves, and handbags.
UC: You’ve had a variety of roles in the crochet industry, including community builder, designer, and teacher. What advice do you have for aspiring professionals?
Amy: Don’t quit your day job right off the bat! Most crochet professionals are in the business because of their deep love of crochet, not because it’s a get-rich-quick industry. It takes a lot of effort and time to create a regular, sustainable crochet income.
If you want crochet to become your full-time job paying you a full-time living wage, be prepared for a lot of hard work. Most professionals find that in order to make a full-time income from crochet, they have to wear many different hats: selling designs to publishers, independently publishing patterns, teaching (locally and/or nationally), writing books and pattern leaflets, tech editing, and more. The more you can diversify with different income streams, the more financially successful you will be. The number of people who can make a full-time living from crochet is quite small indeed when compared to all those who consider themselves crochet professionals or aspiring professionals. I don’t want to discourage people or crush anyone’s dreams, but it’s important to recognize the current reality of the industry.
If all you want is some extra income as a supplement to your other income, then things will be much easier for you.
Social media is becoming more and more important as well. You need to have an outlet to reach customers and build a relationship with them. Having a presence on Crochetville, Ravelry, Facebook, and your own blog or website is imperative. Be careful with what you post. Customers want to feel a connection to you, but you don’t need to draw them into the minute details of your personal life.
The best piece of advice I can give is to take advantage of CGOA’s free mentor program. The professionals who volunteer their time to serve as mentors are doing so because they love this industry and they want to give back some of what was given to them on their way to professional status. I think it’s pretty amazing that they’re willing to train and instruct their future competition, all for free, don’t you? (UC comment: I participated in the mentor program a few years ago, and learned so much from my mentor, Mary Nolfi. I can’t speak highly enough of this opportunity!)
Do a lot of research and network with other professionals. Attend Professional Development Day at CGOA’s Chain Link conferences. You’ll get to meet and talk with many other professionals in pretty much every crochet discipline. At Chain Link, designers can also participate in Meet-and-Greet sessions with crochet editors on Saturday. It’s an excellent opportunity to show your portfolio to editors face-to-face, a chance that you’ll only find at this conference.
UC: What are your favorite crochet books in your collection?
Amy: My crochet friends who know me well can tell you that I have a love for making garments designed by Doris Chan. The first conference I attended, I think 90% of my crochet wardrobe were pieces designed by Doris, and I hadn’t even realized it at the time! So I’d have to say my favorite crochet books include all of Doris’s books.
UC: Do you have any crafty blogs or websites to share?
Amy: Crochetville will be unveiling our new blog in the near future. (If we haven’t done so by your time of publication.) The blog will provide us an ideal format to post our own articles about the crochet industry, crochet tutorials, book and product reviews and more. We have many exciting things planned for the new blog in 2013!
I really enjoy reading Vashti Braha‘s crochet newsletter. She includes wonderful insights into her design process and detailed information about stitches or techniques she’s currently working with. You can sign up for her newsletter here. (UC comment: I’m also a huge fan of Vashti’s newsletter, and I interviewed her about it here.)
Doris Chan’s blog is another favorite full of crochet information.
UC: Besides the blog, what else is new at Crochetville?
Our booth also features exclusive crochet kits, crochet books (and author book signings), custom-made jewelry, shawl pins,and buttons in colors designed to perfectly match/coordinate with Red Heart yarns, Dreamz interchangeable flexible Tunisian crochet hook sets, and something new: access to our digital pattern store.
You can purchase digital patterns right in the booth, print them in the booth, then log in to your account later to download your pattern to your own computer or mobile device. This makes it so easy to buy and print a pattern, buy the yarn and other supplies you need, and take everything with you so you can start your project immediately.
We do our best to make our booth the most fun booth at these events. Drop by to play our game show called “Let’s Make You Squeal.” Drop by many times throughout the day to see what will be on sale for a 15- to 20-minute period during our special Flash Sales.
Thanks for stopping by, Amy, and sharing your advice with us!
I’m really excited to interview Charles Voth, also known as Stitch Stud, today. Charles is a crochet and knitting designer and tech editor. (If you’re not sure what a tech editor is, you may want to check out this interview with Juanita Quinones. And if you get really excited about tech editing, you may want to sign up for these upcoming tech editing classes Charles is teaching at online at Crochet Insider.) Charles is an active participant in several online forums for crochet designers, and over the years I’ve seen him generously sharing his knowledge with more junior designers (including me!). In the past year, I’ve had the great pleasure of getting to (virtually) meet Charles when he tech edited one of my patterns.
Underground Crafter (UC): How did you learn to crochet and knit?
Charles: When I was 5, a woman visiting my mother was crocheting a blue hat. I was fascinated with the movement of her hands and that a 3-d object was appearing from a piece of yarn. I asked her to teach me. She taught me to finger chain that day, and came back another time to teach me how to use a hook. What I made after with the basic stitches I learned, I can’t recall.
I remember making a doily in thread following a pattern when I was 8 or 9. I had no-one to help me crack the code of pattern text and abbreviations, but somehow with the photo and the index of stitches I figured it out. When I was 10 or 11, I saw some Guambiano tribesmen knitting and spinning with drop-spindles (in Popayan, Colombia) and I asked my dad what they were doing. He explained what it was and I asked him if I could learn to knit. Fortunately, my grade 5 teacher was a knitter and my dad asked her to teach me. He bought me my first yarn and needles.
I am a “thrower”, and faster at it than at “picking”, but when my Russian-born grandmother saw me throwing upon my visit with her in Canada, she was dismayed, and tried to get me to knit Russian-continental. Which I can now do fairly well, but at that age, I found it hopeless to change over.
UC: What inspired you to start designing?
Charles: The yarn store I frequented in Medellin, Colombia only had yarn, no pattern booklets. The women would sketch a schematic, do a swatch, and figure out the sweater. They taught me how to do that so I could make my mom a sweater and a vest. But I wanted to knit something for myself. Fortunately, another expat woman lent me an English pattern book with women’s patterns. I analysed the shaping, schematic, gauge, etc, and with the help of my math teacher I designed a men’s sweater based on the woman’s pattern, making it more masculine. I even got a home-ec credit for that. I just kept going from there and only stopped during the first 10 years of my kids’ lives. I was the full-time stay at home parent for half of those years and just didn’t have time.
UC: Many of your patterns are available in both English and Spanish. Tell us about your decision to offer your patterns in both languages. Are Spanish language patterns universally understand by Spanish speakers, or is there a great divide like we see between U.S. & U.K. terminology? If so, how do you address that in your work.
Charles: I wish I could spend more time writing my patterns in both languages. I know that Spanish-speaking knitters and crocheters don’t cling to patterns the way English-speakers do…and seem to thrive on the “swatch, and follow a schematic” formula, but there are many learners and intermediate crocheters who perhaps haven’t benefited from a relative who could teach them the intricacies of shaping, etc, and they do look for patterns. The many Spanish groups of Ravelry who translate with designers’ permission are a testimony to this growing need.
While there are differences in the names of stitches, for knitting needles, the crochet hook, and even yarn, the labels do seem immaterial to Spanish-speaking crafters. Rather than stigmatizing one set of labels as incorrect or inferior, each geographic region is happy to use what they know and even to borrow from each other. It’s rather refreshing. The other mentality that I enjoy and return to often for a breath of fresh air, is that there is no knit-crochet dichotomy like in North America. In Colombia, as in many other countries, the word “tejer” is universal for “weaving, knitting, and crochet” and the tool that is used is given when the activity is being described. So I would “weave with a loom,” “weave with 2 needles,” or “weave with a hook,” for example. I use the words that I was taught in Colombia and the terms and abbreviations I first found when I found other Hispanic bloggers and stitchers online.
UC: In addition to your crochet life, you’re also an ESL teacher. Does your teaching experience impact your design or pattern writing process, and if so, how?
Charles: Second language learners struggle constantly with accuracy and fluency, and the two aspects of language compete with each other. Either one can talk with native-like speed and tone yet have many embedded grammatical or micro-level pronunciation errors, or one can speak/write accurately, with near perfect grammar and spelling, but it takes forever and the speech is robotic and the writing painfully slow.
Crocheters and knitters, depending on their exposure to patterns and the time they’ve been stitching, and what kind of support they’ve had, and more importantly, what kind of learner they are (visual, aural, kinesthetic, text-biased) often struggle with the same fits and false starts when they encounter pattern instructions and charts until they are more experienced, but if a stitcher works faster than they are ready to, things get missed and frogging is more common.
I have written patterns that bore the experienced knitter/crocheter to tears because they are full of pedagogical text, and I’ve written patterns that are so sparse that a newbie takes up hours of my time on Ravelry giving pattern support. I’m a visual learner, so I’m fine with a chart, a schematic and minimal text, yet I know that if my patterns were only like that I’d loose 75% of stitchers out there, so I now try to find a happy medium.
UC: You were born and raised in Colombia. What was the yarn crafts scene like there when you were growing up?
Charles: From what I recall, different tribes of pre-European Colombians have a vibrant craft movement and the lore is well documented and perpetuated. Colombia is the textile centre of Latin America, and Medellin, where I grew up, has many textile corporations. The tallest sky scraper in the city is actually a stylized sewing needle. When I was there, mostly grandmothers were the knitters and depending on the social class, younger women either learned out of necessity (to make blankets and clothes for themselves and/or for sale) or if they were middle or upper class, they just dabbled in it once in a while. I’m not at all in touch with the current knitting/crochet culture in Colombia. Colombians on Ravelry appear to come from all age groups.
When I lived there, the main yarn purveyors were the French company Pinguoin, and Cisne yarns (from Chile), and I believe Coats had and still has a line of yarn with Spanish labels. These yarns were in the store at the mall near my house. The yarns were mostly acrylic. My favourite store was a different one, 15 blocks from my house and it was frequented mostly by little grandmothers from working class families. The store consisted of a small room with walls made of cinderblock and red-clay brick; it was poorly lit, and had a very sparse non-yarn décor. But it had wall-to-wall cones of what now would be deemed lace-weight acrylic yarn in about 100 colours. I would go there, ask for 15, 23, 60, or any number of grams of yarn, and I could specify the number of strands they would hold together and wind off into cakes. 4 yarns together worked great on my 3.5mm or 4mm needles, so it must have been somewhere been a sport or DK weight. I’d ask for 3 strands together to make baby booties and 6 strands together to work at a worsted weight gauge. It was VERY splitty, naturally, but I think my getting control of this was what really helped me develop a very even tension. (UC comment: This sounds like a really fun store!)
UC: Does your cultural background influence your crafting? If so, how?
Charles: The deepest influence my cultural heritage gives me is my sense of colour and of proportion. I know it’s nothing unusual now, but when I first arrived in Canada and made things with orange, fuschia, and red right beside each other, I sure got looks. Naturally, when I discovered Kaffe Fasset at 19 and saw that colours transcended culture, I feel liberated.
I don’t know whether I can say this here, but as a teenage boy interested in the local beauties, I was drawn to girls that had curves, naturally, but it was the relative proportion that mattered. The guys and I would comment on how North American models were twiggy and sickly and we were never surprised that Miss Universe was often won by a South American beauty queen. To be beautiful in our eyes, a girl had to have calves and thighs, but it was just as important to have narrow ankles and knees, and so on—proportion was key. This definitely has influenced my design aesthetic, when designing women’s garments, because I like to accentuate curves and relative differences in proportion rather than create the baggy box or the wraith-like sack-on-a-scare-crow look. You could say that my muse for women’s designs is “la belleza latina.” Of course, for men’s designs, I now consult my 2 teenage sons and what they and their friends would wear.
UC: You’ve held a lot of roles in the yarn industry, including designer, podcaster, tech editor, and magazine editor. What advice do you have for aspiring professionals?
Charles: I would say,
“Don’t ever think you’re too young to start, or too old to start.
Don’t give up, take small steps, be humble amongst the great talent that’s around you, but don’t hide your skills and art out of sight.
Don’t have a sense of entitlement, accept rejection without tears. A rejected design only means your creation doesn’t fit in someone else’s big picture creative concept; it doesn’t mean it’s a terrible design.
Act professionally, and as much as you can, don’t let emotions cloud business matters, particularly in public.
Befriend many, but give to many in return.
Find one or two trustworthy and extremely honest (even painfully so, sometimes) mentors to guide you and to listen to your emotional venting privately.
Most of all, enjoy creating, have a knitting or crochet project that doesn’t have a deadline, and is just there to be savoured, touched, and to fill the senses.
If you have a life-partner, engage in, and support his/her passion without expecting the same in return.
Lastly, be a life-long learner.”
UC: Do you have any favorite Spanish or English language crochet or craft blogs to share?
Charles: I’m busy tech-editing mostly. A few designs in the works, but nothing I can talk about at the moment. (UC comment: And if you’re interested in becoming a tech editor, don’t forget to sign up for Charles’s upcoming classes at Crochet Insider!)
Thank you, Charles, for sharing your thoughts with us, and for giving some great advice!
Today, I’m interviewing Juanita Quinones, also known as BoricuaCrochet, a crocheter I met on Ravelry who is also a crochet tech editor. Originally from Puerto Rico, Juanita moved to the mainland U.S. about 20 years ago and now lives in Pennsylvania. Her projects can be found on Ravelry here. All pictures are used with her permission.
Underground Crafter (UC): How did you learn to crochet?
Juanita: My journey began by watching a neighbor making doilies when I was about six years old. After that, I picked up a stitch dictionary, Mon Tricot Knitting Dictionary Stitches Patterns Knitting & Crochet, that my mother had and learned each of the stitches. It is my preferred stitch dictionary, and I do still keep that copy. I always wanted to make wearable projects. I remember and still have my first poncho done when I was 13 years old. (UC comment: Wow, that’s impressive! As much as I love stitch dictionaries, I’ve never worked my way entirely through one.)
It is a collection of vintage patterns of stitches, motifs, edgings, insertions, and other patterns both in knit and crochet. We are making the crochet samples. I’ve taken the task of coordinating these efforts and adding the patterns to Ravelry with pictures from several volunteers. We hope to have the samples available for display at one of the future CGOA conferences. We hope they inspire crocheters and designers alike to incorporate in future projects. It is always better when you have a picture of what these patterns look like. It is a big project and we have completed about a third of the samples. (UC comment: Thanks for your work on this great project which has benefits for the entire crochet community!)
UC: You are a crochet tech editor. For my readers who don’t know, can you explain what a tech editor is and tell us how you got started tech editing?
Juanita: In a nutshell, a tech editor revises patterns from designers in an attempt to make them error-free before they are published. The tech editor makes sure the pattern is accurate and complete in how it uses the correct abbreviations, follows standards, and/or provides explanation for new or uncommon stitches used. We don’t need to make the item to know when something is missing, needs more clarification, or needs consistency.
I don’t know why – perhaps because of my mathematical background and/or experience writing technical documents – but it has always been easy to identify when a pattern has an error. Always, I’ve sent the comment(s) to the publisher and/or designer. It was after submitting several corrections that a well-known designer influenced me to pursue the career.
UC: Tell us about the crochet scene in Puerto Rico.
Juanita: There are a lot of artisans in Puerto Rico that work with thread, in what is called “Mundillo” (a bobbin lace). There are only a few yarn stores in Puerto Rico. There are classes offered by different groups for both knit and crochet, but they are scarce. My passion for the craft increased when I moved to the States about 19 years ago as there were more yarns readily available.
I don’t think there is rivalry amongst crocheters and knitters in Puerto Rico. I think most learn to do both even when they prefer one or the other. Like I prefer crochet and my mother prefers knitting, but we know both.
UC: Does your cultural background influence your crafting? If so, how?
Juanita: I think my cultural background influenced the type of yarn that I prefer to work with. I prefer to crochet with cotton, bamboo, linen, or silk, but not wool (although at times I do use wool for felting). Since we don’t have changes in seasons, I do prefer colorful yarns all the time, and not according to seasons.
UC: What are some of your favorite Spanish or English language craft blogs to share?