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Guest Post: Sharon Silverman on Tunisian Crochet

This post contains affiliate links.

Today, I’m sharing a guest post with Sharon Silverman as part of her blog tour for her latest book, Tunisian Crochet Baby Blankets.  I previously interviewed Sharon here as part of her blog tour for Crochet Scarves: Fabulous Fashions – Various Techniques.  I was all ready to write an introduction to Sharon, but she’s been kind enough to introduce herself in the guest post!  You can also find links to where to find her online at the end of her post.  All photos are copyright Sharon Silverman and used with permission.

I’ve inserted a few comments in purple.  Enjoy the post!

Tunisian Crochet Hits Its Stride

by Sharon Silverman

Tunisian Honeycomb Stitch.

Tunisian Honeycomb Stitch.

Thank you to Underground Crafter for the invitation to write a guest blog. I’m delighted to have the opportunity to share my thoughts on Tunisian crochet.

First, a little bit about me. I became a crochet designer in a roundabout way. After writing several travel guides for Stackpole Books, editor Kyle Weaver asked me to do another guide to an area about ninety minutes away from my home. It just wasn’t the right project for me. My children were little, it would have involved a lot of commuting, and I didn’t have the essential insider knowledge that the book deserved. However, we really liked working together, and Kyle mentioned that Stackpole had just started a craft line. His exact question to me was, “Can you do anything?”

Why, yes! I crochet. The timing was perfect, since Stackpole had just released Basic Knitting. They hired me to write Basic Crocheting: All the Skills and Tools You Need to Get Started. I rediscovered my love of the craft, was introduced to the fabulous yarn produced today, met a lot of fantastic designers, developed a great working relationship with photographer Alan Wycheck and editors Mark Allison and Kathryn Fulton at Stackpole, and have never looked back. After that first volume, I wrote Beyond Basic Crocheting, Tunisian Crochet: The Look of Knitting with the Ease of Crocheting, Crochet Pillows, Crochet Scarves, and Tunisian Crochet for Baby (coming September 2014), all for Stackpole; and Tunisian Crochet Baby Blankets for Leisure Arts. My designs have appeared in the 2006 Crochet Pattern-a-Day Calendar and in Crochet Red: Crocheting for Women’s Heart Health (reviewed by Marie here).  I am a design member of The National NeedleArts Association and a professional member of the Crochet Guild of America. I have taught at venues large and small, and was featured on three episodes of HGTV’s “Uncommon Threads.”

When I was browsing through a stitch dictionary while designing for Beyond Basic Crocheting, I came across something I hadn’t seen before: Tunisian crochet. I didn’t have a long Tunisian hook, but I tried a few stitches on a regular crochet hook. Wow! I had never seen fabric like that created with a crochet hook. It immediately hit me that Tunisian crochet was the perfect solution to the problem I refer to as “rivers of double crochet.” That look does not have much to commend it, in my opinion, and I am always disappointed when I see it in today’s designs. (I think when people disparage crochet, that’s the style they’re reacting to. Can’t blame ‘em.)

Anyway, Tunisian had none of that “loopy” look. I started with a swatch of Tunisian simple stitch. It went so fast! I remember laughing out loud because it was simply so much fun to do. Soon I grabbed some scrap variegated yarn to see how that would look. The way the colors on the return pass appeared between the vertical bars of the forward pass…it was stunning. In short order I tried every single Tunisian stitch pattern in that book. Wait a minute: you mean I can make fabric that looks knitted and purled? Lace? Cables? Relief stitches without having to work around a post? And I can do all of that with a crochet hook? I’m in!

Tunisian Checkerboard Stitch (Medium)

Tunisian Checkerboard Stitch.

After putting one Tunisian pattern in Beyond Basic Crocheting, I started thinking about a book with all Tunisian patterns. With the right size hook and the right weight of yarn, Tunisian didn’t have to be bulky or just for blankets. It was perfect for garments and accessories as well. I wanted to call the book Tunisian Crochet: Not Just for Afghans Anymore! but Stackpole preferred the more sedate Tunisian Crochet: The Look of Knitting with the Ease of Crocheting.

At that time is wasn’t unusual for crocheters to say, “Huh?” when I mentioned Tunisian crochet. But everyone I taught it to was crazy about it. This was near the beginning of what I happily think of as the Tunisian crochet renaissance. Other designers were discovering or re-discovering Tunisian and doing fantastic things with it.

Fast forward to today. The Tunisian crochet group on Ravelry has almost 5,000 members—we’re waiting for you! Major magazines now feature Tunisian patterns as a matter of course. And the books! Scads of books either exclusively Tunisian crochet, or with a substantial number of patterns. The Tunisian Crochet Group on Yahoo is an excellent resource and a place to get questions answered. And, of course, you can check YouTube for tutorials.

One indefatigable proponent of Tunisian crochet is Kim Guzman (interviewed by Marie here). I think I have all of her Tunisian crochet books. Kim wrote a wonderful post encouraging all of us to be Tunisian crochet cheerleaders. You can read it here.

Along with Kim, many other designers are hard at work creating fantastic Tunisian patterns. I hesitate to name them because I know I’ll forget somebody—whoever you are, please forgive me, and post your name in the comments!—but some people whose work you might be interested in are Doris Chan, Dora Ohrenstein (interviewed here, book reviews here and here), Kristin Omdahl, Robyn Chachula (book review here), Vashti Braha (interviewed by Marie here), Marty Miller, Lily Chin, Karen Whooley, Sheryl Thies (book review by Marie here), Tammy Hildebrand (interviewed by Marie here), Darla Fanton, Jennifer Hansen, and others. A quick search for “Tunisian crochet” on Amazon gives a long list of titles.

As for my own work, my most recent Tunisian publication is Tunisian Crochet Baby Blankets from Leisure Arts, available here.  (Ravelry members can see the book’s patterns on its source page here.)

TCBB cover (Medium)

The book gave me the opportunity to try some interesting Tunisian techniques, including stranded colorwork. I used that for the Bright Strands blanket.

Bright Strands (Medium)

Tunisian Crochet for Baby is currently going through the editing process. Here is a sneak peek at some of the projects.

Sharon Silverman Sneak Peak Collage

I hope you are inspired to do some projects in Tunisian crochet! Please share them with me on my Facebook page and my website. You are welcome to visit my Pinterest page also. Happy crocheting!

 

Thanks for stopping by, Sharon! 

Interview: Dora Ohrenstein, Crochet Designer and Author

This post contains affiliate links.

Today’s interview is with fellow New Yorker, Dora Ohrenstein.  Dora is the publisher of the Crochet Insider ezine; a designer whose work has appeared in Crochet!, Crochet Today!, Crochet World, Interweave Crochet, and Vogue Knitting Crochet, among other publications; the author of Creating Crochet Fabric, Custom Crocheted Sweaters (reviewed here), and The New Tunisian Crochet (reviewed here); and a crochet teacher.  Along with Gwen Blakley Kinsler, Dora is also the co-editor of Talking Crochet, which recently won Crochet Concupiscence‘s Awesome Crochet Blogger Award for Best Crochet Newsletter.

You can find Dora online at the Crochet Insider website or on Ravelry (as crochetinsider, on her designer page, and in the Crochet Insider group).  All images are used with permission.

Dora Ohrenstein

Dora Ohrenstein.

Underground Crafter (UC): How did you first get started crocheting?

Dora: When I was about 20, I lived in Amsterdam on a tiny little houseboat. It was the Age of Aquarius and everyone was getting crafty. I learned to crochet and since I had no background whatsoever, I just started making clothes without knowing what I was doing. But then I totally stopped for literally decades. I became a professional singer and that consumed all my time. I didn’t pick up the hook again until early in this millenium.

Shawled Collar Tunic

Shawled Collar Tunic from Custom Crochet Sweaters.

UC: What inspired you to start designing?

Dora: I wasn’t performing much by that time, and needed a creative outlet. I made a few sweaters and went to a CGOA conference, where I met Jean Leinhauser. She and Rita Weiss liked my stuff and bought several sweater designs for their books. Then Jean taught me how to write patterns, since I’d never followed one!  (UC comment: Dora has a wonderful interview with Jean here.)

new tunisian crochet

UC: Where do you generally find your creative inspiration?

Dora: So many places! Sometimes it’s a fashion silhouette, sometimes a yarn or stitch. I keep many swatches lying around and then one day I find the right project for them. I’ve also learned that once you’re a pro, you can’t sit around and wait for inspiration to hit, you have to be generating ideas constantly. I would also say my motivation often comes from wanting to continually grow as a designer, try new techniques and strategies in my work.

Kerala Tank c Crochet Today

Kerala Tank.  Image (c) Crochet Today!

UC: Tell us about your motivation for launching Crochet Insider. What are some of the challenges and joys of publishing an online crochet magazine?

Dora: I haven’t really been publishing Crochet Insider as a magazine for a couple of years, it was just too much work once my design career really got going. But I loved doing it because of meeting and talking to so many interesting people. Challenges: it took huge number of hours and did not earn much, so it couldn’t continue indefinitely. There is still a lot of great content at the site and I wish more aspiring designers would read the interviews, because there is so much to learn.  (UC comment: Besides the Crochet Insider interview with Jean Leinhauser I linked above, two of my other favorites are this one with Vashti Braha and this one with Myra Wood.)

#15 Lace Pullover c Vogue Knitting

#15 Lace Pullover.  Image (c) Vogue Knitting.

UC: Your books place a lot of emphasis on teaching techniques and skills, along with the inclusion of patterns. Tell us about your decision to work this way rather than through pattern collections or historical work, which you’re also known for.

Dora: Many of these decisions are economic. I would love to publish a book on crochet history, but can’t afford to do so without a publisher. But no publishers wants such a book, because it will not sell in the numbers they need to be profitable. It’s sad but true. I try to get as much history into my books as they will tolerate. Hey, I’d love to go around the world and make film about crochet traditions, but again, where’s the funding? Publishers have been interested in my books that combine good designs with educational material, and I love teaching and empowering, so that works for me. In addition to being a designer, I teach singing and have for many years, so teaching comes naturally to me.

Prelude Houndstooth Skirt c Tension Magazine

Prelude Houndstooth Skirt.  Image (c) Tension Magazine.

UC: You design mostly women’s garments and accessories. What appeals to you about designing wearables?

Dora: This comes back to my background in crochet, or the total lack of it! I never was exposed to afghan making, thread crochet, or any of those fine American traditions. My parents were WWII immigrants and craftiness was not their heritage. I live in NYC and never had the chance to shop at big box stores, which didn’t even exist here until a few years ago. I do love fashion and had discovered for myself that crochet could make great wearables. It was shocking to encounter the yarn industry’s negativity about crochet wearables. So I’ve been very motivated to change that viewpoint with my work. And I’m in some very fine company there of course.

DoraBookCover.low.res

 

UC: You’ve had a variety of roles in the crochet industry, including designer, writer, teacher, publisher, and social networker/community builder. What advice do you have for aspiring professionals?

Dora: I would say to aspiring designers, don’t be naive about this industry – it’s very tough to make money, very competitive, and takes tremendous perseverance and drive. I’ve done all these things to build my career and earn money. And I enjoy all of them too. But I’d be happy to restrict my activities and lead a more sane life if it were possible.

Ariadne Scarf

Ariadne Scarf from Creating Crochet Fabric.

UC: What are your favorite crochet books (besides yours, of course) in your collection?

Dora: The books I bought when I started getting serious, about 10 years ago, are still my favorites. They are “vintage” ’70s and ’80s books by designers like Jacqueline Henderson, Sylvia Cosh, James Walters, Judith Copeland. (UC comment: I love those books, too!  I shared several from my collection in my Vintage Needlecrafts Pick of the Week series.)  I adore Japanese pattern books, and the Ukrainian magazine Duplet — I stocked up on about 100 magazines when I visited the Ukraine! I also use stitch dictionaries, any I can get my hands on, including the huge Linda Schapper book, the old Harmony Guides, and Japanese stitch dictionaries.

UC: Do you have any crafty websites or blogs you frequent for inspiration or community?

Dora: Pinterest and Etsy – lots of great inspiration. And Ravelry!

UC: What’s coming next for you?

Dora: I have a crochet reference book coming out in the fall of 2014 by Storey Publishing. The working title is The Crocheter’s Skill-Building Handbook. They are fantastic publishers, I’m very excited about it. A reference book not just for beginners but for intermediate crocheters too, with lots of information on working stitch patterns, shaping, construction, colorwork, and flexible tension. What I mean by the latter is the ability to control tension so you can really sculpt stitches.

Crochet Insider will get a facelift soon and I will be enlarging my indie pattern line and store at the site. I also plan to develop video classes, sort of like Craftsy, but as an indie venture so I can go direct to students.

Thanks for stopping by, Dora!

Blogiversary and A Tour Through Crochet Country!

Today marks my two year blogiversary, and I’m one of the stops on A Tour Through Crochet Country!  If you haven’t been following along, this is a wonderful blog tour organized by Crochetville.  The tour features over 50 Associate Professional or Professional members of the Crochet Guild of America (CGOA).

Click here for the free pattern for the Recantgular Sampler Blanket.

If you’re new here, welcome!  I’m a crochet (and knitting) teacher, designer, and blogger.  In addition to sharing my own projects and news on my blog, I also do a lot of interviews (I’ve even won a few awards) and book reviews.  I’m really honored to be part of A Tour Through Crochet Country.  To celebrate National Crochet Month and my blogiversary, I’ll be sharing a free pattern below.  But first I’d like to talk about how important the CGOA has been to me.

As many of my regular readers know, my grandmother taught me to crochet.  After she passed away in 2007, I didn’t have any important people in my real life to talk with about crochet.  Through my membership in CGOA and my involvement in the CGOA Professionals listerv, I’ve had the chance to virtually meet many wonderful crocheters who share the same passion for the hook as I do.

Me and my grandparents, at about the age when I learned to crochet.

Me and my grandparents, at about the age when I learned to crochet.

Back in 2009, I had the honor of being introduced to a wonderful mentor, Mary E. Nolfi, through the CGOA mentoring program.  When I was first exploring design, Mary guided and encouraged me.  Her primer is a great intro for aspiring crochet designers.  I still remember my excitement at emailing her when my first designs were selected for publication.   I’m also grateful to Michelle Maks, yesterday’s stop on the the tour, for taking a chance on me when she was the editor of Crochet World.  I’m thrilled to have another mentor, Marty Miller (March 13′s stop on the tour), who is helping me explore tech editing.

Now I’m paying it forward by volunteering to write book reviews for the CGOA newsletter and blog, and by serving as a mentor to another designer.

My first designs, published in Crochet World in 2010.

And, of course, CGOA membership has other benefits, even if you aren’t a professional (or aspiring professional) in the industry.  You get a subscription to Crochet! magazine and discounts at national retailers as well as on CGOA educational offerings.  You can also participate in your local chapter.  (I’ve been a member of the NYC Crochet Guild for years and in addition to great monthly meetings where I can hang out with fellow crocheters, they also offer classes and local discounts.)

I’d like give a shout out to a some other CGOA members I’ve met (in real life or virtually) who have been very helpful to me in the past few years.

Vashti Braha (interview) has taught me so much through her Crochet Inspirations newsletter, which has also inspired me to keep experimenting! Kim Guzman (interview) is so generous with her knowledge online and is a great teaching author.  Juanita Quinones (interview) is a wonderful tech editor that is volunteering on the Home work project on Ravelry, which is giving a second life to vintage designs.  Mary Beth Temple (interview) is a very strong advocate for crochet and has been a professional inspiration.  Charles Voth (a.k.a. Stitch Stud) (interview) is a talented – and nice! – designer and tech editor who always shares so much of his knowledge with his fellow hookers online.

If you’ve made it this far, your probably asking yourself, “Didn’t she promise a freebie?”

Charity Crochet for Project Night Night – The Rectangular Sampler Blanket

Early in my career, I worked for an organization that provided temporary housing for hundreds of homeless families, so the tour’s featured charity, Project Night Night, is really close to my heart.  I wanted to create a project that was beautiful to look at but also fun to make.

blog Rectangular Sampler angle view

The Rectangular Sampler is a variation on the traditional granny square that incorporates a stitch sampler to keep things interesting.  There’s a granny rectangle, an alternating v-stitch, staggered puff stitches, and a fun edging.

blog Rectangular Sampler flat

Click here for the Rectangular Sampler Blanket pattern!

This makes a great stroller blanket or play mat, or even a baby or comfort blanket.  I plan to donate my sample to Project Night Night, and I hope you’ll consider making one to donate to Project Night Night or a local children’s charity.
Rectangular Sampler V st detail

I crocheted the sample with Cascade Yarns 220 Superwash in Pacific, Cordovan, and Alaska Sky.  None of these pictures really do justice to the Alaska Sky, which is a pale, sky blue.  I like using non-traditional colors for children’s blankets because I think it gives them a longer life cycle when they can be displayed in more settings.

blog Rectangular Sampler on chair

And now back to a A Tour Through Crochet Country

Here’s the schedule for the rest of the tour.  I’ve actually had the pleasure of interviewing several of the CGOA pros on this list, so I’ve also included the links to those interviews below.  I hope you will stop by and check out all the posts (and tutorials, giveaways, and discounts) the other participants have to offer.  Enjoy the rest of National Crochet Month!

March 1 Shelby Allaho

March 2 Ellen Gormley (interview) and Nancy Nehring

March 3 Phyllis Serbes and Mona Muhammad

March 4 Amy O’Neill Houck and Akua Hope

March 5 Mary Jane Hall and Lindsey Stephens (interview)

March 6 Edie Eckman and Shannon Mullett-Bowlsby

March 7 Jennifer Cirka and Annette Stewart

March 8 Andrea Graciarena and LeAnna Lyons

March 9 Dawn Cogger and Angela Whisnant

March 10 Andrea Lyn Van Benschoten and Renee Rodgers

March 11 Joy Prescott and Donna Childs

March 12 Pam Daley and Deb Burger

March 13 Tammy Hildebrand and Marty Miller

March 14 Jocelyn Sass and Jennifer E Ryan

March 15 Andee Graves and Kimberly McAlindin

March 16 Laurinda Reddig

March 17 Brenda Bourg and Susan Lowman for CGOA

March 18 Rhonda Davis and Tammy Hildebrand for CGOA

March 19 Julie Oparka and Cari Clement for CGOA

March 20 April Garwood and Mary Colucci for CGOA

March 21 Alaina Klug

March 22 Erin Boland and Jenny King

March 23 Margaret Hubert (interview) and Jane Rimmer for CGOA

March 24 Bonnie Barker and Marcy Smith for CGOA

March 25 Kim Guzman (interview) and Susan Huxley (interview)

March 26 Susan Lowman and Michele Maks

March 27 me! and Brenda Stratton

March 28 Kathy White and Lori Carlson

March 29 Amy Shelton (interview) and Donna Hulka

March 30 Linda Dean and Kristin Dragos

March 31 Karen CK Ballard and Gwen Blakley-Kinser (interview)

Book Review and Giveaway: The New Tunisian Crochet by Dora Ohrenstein

Every Tuesday during National Crochet Month 2013, I’ll be reviewing crochet books.  Today’s post features  a giveaway of my review copy of The New Tunisian Crochet by Dora Ohrenstein, courtesy of Interweave/F+W Media.

This post contains affiliate links.

new tunisian crochetIt’s no secret that I’m a fan of Tunisian crochet, and I’m thrilled to see it regaining popularity.  Dora Ohrenstein‘s latest book, The New Tunisian Crochet: Contemporary Designs from Time-Honored Traditions, is one of several recent crochet publications that explore the versatility of Tunisian crochet.  I recently received a review copy from Interweave/F+W Media.  Though it pains me to part with such an awesome book, I will be giving away my review copy, so read on for details.

The New Tunisian Crochet opens just as anyone familiar with Dora’s writings at Crochet Insider and elsewhere would expect: with a history lesson.  The first chapter, What is Tunisian Crochet?, reviews the appearance Tunisian crochet stitches in needlecrafts publications in the 1850s and discusses the possible origins of the craft.  This section will delight your inner history nerd and will also appeal to your intelligence.  Dora’s writing style assumes her readers have brains and she doesn’t feel the need to talk down.  She sites her references and even includes a reading list.  Dora also mentions some of the contemporary Tunisian crochet designers, such as Carolyn Christmas and Angela “ARNie” Grabowski, who have helped to re-popularize and reinvigorate the craft.

In the next chapter, Tunisian Crochet Techniques, Dora writes in a conversational tone and provides tips and explanations that are useful even to an experienced Tunisian crocheter.  The book includes illustrations along with descriptions of the basic Tunisian crochet stitches.  In general, I don’t find Interweave’s illustrations helpful and it is hard for me to tell where the yarn and hook are placed.  I wish that these illustrations made use of multiple colors (as most of the Japanese stitch guides do) so that it would be easier for me to identify the difference between the previous rows and the current stitch.  In many ways, the illustrations are in keeping with the general tone of this book, which assumes a level of knowledge of the basics of crochet and Tunisian crochet.  More experienced crocheters will find this lack of review refreshing, but Tunisian newbies may need to consult other resources for more support.

Chapter 3, Tools for Tunisian Crochet, reviews the various available hooks and tools for blocking.  Dora includes a list of web resources.

The next chapter, Special Techniques and Effects, is where things start to get very interesting.  Dora covers a myriad of Tunisian techniques here, including basic double-ended crochet, short rows for circles, stranded colorwork, and entrelac.  Each technique includes a small project or pattern and you will want to pull your hooks out right away and get swatching.

For all you stitch guide junkies, Chapter 5, Stitch Dictionary, is for you.  This section includes 33 Tunisian stitch patterns organized into five sections: Basic, Intermediate, Lace, Textured, and Tunisian and Standard Crochet.  Each pattern includes US abbreviations and international stitch symbols.

The final chapter, Projects, includes 12 project patterns.  The project breakdown is

  • Women’s Accessories – 6 (a shawl, a hat, mittens, a scarf, a bag, and slippers)
  • Garments – 4 (a cardigan, a pullover, and a skirt for women, and a vest for men)
  • Home Decor – 2 (a sampler throw and a rug)

This section features patterns by many talented designers, including Dora herself.  My favorites from this section are actually the first four patterns: the Marisol Cardigan by Andrea Graciarena, the Mago Vest by Charles Voth (interviewed by me here), the Rivuline Shawl by Vashti Braha (interviewed by me here), and the Shantay Skirt by Doris Chan.  I also like the Sierra Bag by Margaret Hubert (interviewed by me here), which changes up the typical entrelac pattern by including different sizes.  I can also imagine myself trying out some of the stitch patterns from the Ariadne Sampler Throw by Lisa Daehlin.  (Ravelry members can see all of the book’s designs on its source page.)

The book closes with a reference section in the back, which includes a key to the stitch symbols used throughout the book and a glossary of US pattern abbreviations.  It also includes illustrated and written instructions for all of the basic crochet and Tunisian crochet stitches.  Finally, a bio of each contributor is included.

Overall, this is a great book for a crocheter interested in going beyond the basics of Tunisian crochet.  In addition to the wonderful tips and tricks, stitch guide, and history lesson, the book includes many great projects – several of which highlight or teach a specific Tunisian crochet skill.  The stitch guide and the patterns use both US pattern abbreviations and international stitch symbols.  The downside to this book is that the illustrations assume prior knowledge and are really just there to trigger your memory of particular stitches.  Also, it is a softcover and it doesn’t stay open when flat.  If you are a true Tunisian crochet newbie, you may need to supplement this book with something else (I would recommend Kim Guzman‘s Ultimate Beginner’s Guide to Tunisian Crochet).  I would give this book 5 out of 5 stars for any crocheter interested in learning more about Tunisian crochet.

Full disclosure: A free review/giveaway copy of this book was provided by the publisher. Although I accept free books for review, I do not accept additional compensation from the publisher, nor do I guarantee a positive review.  My reviews are based entirely on my honest opinions. This also post contains affiliate links. You can read my affiliate and review disclosures here.

Giveaway

As I mentioned earlier, I’m hosting a giveaway for my review copy of Dora Ohrenstein‘s The New Tunisian Crochet: Contemporary Designs from Time-Honored Traditions, courtesy of Interweave/F+W Media.

This giveaway is open to all readers.  Enter by 11:59 p.m. Eastern time on Sunday, March 31, 2013.

2012 Year in Review: Frog Fest!

I’m not the type of crocheter (or knitter) who feels the need to complete every project I start.  Sometimes I start a project for stress relief, other times I make a bad yarn choice, and then there are times when the project just isn’t really something I want to work on anymore.

Today, I’m celebrating all those creations that actually made it as far as into my Ravelry projects but were later unraveled.  While I actually unraveled 12 projects in 2012 (freaky, huh?), I’m just going to talk about the three most significant ones today.

If you followed my second Year of Projects posts, you may remember that I was working on my first pair of knit socks.

I started these during the Ravellenic Games, hoping that would be the push I needed to actually get excited about making knitted socks.  I love looking at other people’s knit socks and I love wearing hand-knit socks, but something about actually knitting socks never seemed all that appealing to me.

I think I’ll stick with crochet socks.  I’m not all that comfortable knitting with small needles or with lightweight yarn and I just don’t feel committed to spending the amount of time needed to knit a single pair of socks.

Another learning experience was the slip stitch scarf I started for the Red Scarf Project.  Vashti Braha‘s newsletters got me very excited about using more slip stitches in my projects.  Unfortunately, I didn’t really think this one through.

Let’s just say that the combination of not so great quality acrylic yarn, watching a movie while crocheting, and slip stitches is not a good one.  I decided to unravel this, along with a Christmas stocking I made last year (in red wool)…

…and give slip stitch crochet another try in wool in 2013.

 

I think the addition of this hook I found at a shop near my job, which looks like a pjoning hook, will also help to make the stitches more even.

And finally, there’s the Pineapple Doily Shawl I started.

Several students in my crochet class were working on it, and I decided to start one, too.  I don’t usually work on projects with my students (besides a little swatch I make in class), and this experience hasn’t encouraged me to make it a habit.

I inherited this yarn from my grandmother and I eventually want to make it into something special for my mom.  So far, the perfect project for this yarn hasn’t revealed itself.

 

Do you unravel projects, do you always finish what you start, or do you abandon projects that aren’t working out?