Today, I’m excited to participate in the blog tour for The Fine Art of Crochet: Innovative Works from 20 Contemporary Artists by Gwen Blakley Kinsler. I had the pleasure of meeting Gwen online in 2011 when I interviewed her as part of my blog series, Getting Started as a Local Needlecrafts Teacher, and have since learned more about her many contributions to the crochet community (including founding the Crochet Guild of America). Gwen’s latest book is another way of sharing her love and support of the crochet community.
The Fine Art of Crochet is an exploration of crochet’s role in contemporary fiber art. Gwen opens the book with an introduction exploring the development of art crochet since the 1960s. The book then continues with profiles of twenty contemporary artists:
- Arline Fisch,
- Leslie Pontz,
- Georgina Valverde,
- Pate Conaway,
- Carol Hummel (read my post about her outdoor installation here),
- Renie Breskin Adams,
- Donna Lish,
- Dale Roberts,
- Nathan Vincent,
- Andrea Uravitch,
- Kathleen Holmes,
- Tracy Krumm,
- Donna Rosenthal,
- Karen Searle,
- Soonran Youn,
- Jerry Bleem,
- Jo Hamilton (whose work I saw at Vogue Knitting Live 2013),
- Yvette Kaiser Smith,
- Bonnie Meltzer, and
- Dr. Carol Ventura (who I interviewed here).
The profiles, typically 3-5 pages long, generally include a brief biography, large pictures of several representative works featuring crochet, and quotes from the artist. Quotes from the artists may discuss the creative process, the significance or interpretation of particular pieces, inspiration, and/or crochet as a medium.
The book ends with a reference list of articles, books, and websites on crochet art, freeform crochet, and crochet history, as well as a note about Gwen and some pictures of her art crochet.
In The Fine Art of Crochet, Gwen does a great job of sharing her excitement about crochet in all forms along with insights about some of today’s most innovative crochet artists. The background information and quotes from the artists are delightful.
On the other hand, the formatting is a bit challenging. Sometimes, due to the relative font size, it’s difficult to distinguish clearly between caption and narrative text. Additionally, some of the text could have used another round of editing to help smooth out the transitions between the artists’ quotes, historical information, and Gwen’s analysis. While it’s great to have a more affordable book, a hardcover option would have been wonderful for those of us who are looking for the ultimate crochet art coffee table book.
Overall, I would highly recommend Gwen’s book. It’s the only book of it’s kind currently on the market, and the enthusiasm Gwen and the artists share for crochet is infectious. It’s wonderful to see all the possibilities of crochet that many of us who typically create functional pieces may want to explore, too.