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Blog Tour: Tunisian Crochet for Baby – Mini Interview with Sharon Silverman

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I’m excited to share a mini interview with Sharon Silverman today as part of her blog tour for Tunisian Crochet for Baby. Sharon is a designer, author, and instructor based in West Chester, Pennsylvania. Tunisian Crochet for Baby is her seventh crochet book, and she has more in the works. I previously interviewed Sharon here and she wrote a guest post here.

Like me, Sharon is a professional member of the Crochet Guild of America, and she is also a design member of The National NeedleArts Association. You can find her online on her website, on Ravelry (as CrochetSharon or on her designer page), on Facebook, and on Pinterest. I’ll also be sharing a giveaway for the new book at the end of this post, so read on for details!

Mini interview with Sharon Silverman about her book Tunisian Crochet for Baby on Underground Crafter blog.

Sharon Silverman

Underground Crafter (UC): What was your inspiration for writing Tunisian Crochet for Baby?

Sharon: On the design side, I have been a huge fan of Tunisian crochet ever since I came upon it in a stitch dictionary. It lets me create all sorts of fabrics and textures that are impossible in regular crochet. I am always glad to find an opportunity to share Tunisian techniques with other crocheters. Baby items, including garments, are very popular and seemed to be the logical next step after my books on scarves and pillows (both from Stackpole Books), and a Leisure Arts title, Tunisian Baby Blankets.

Mini interview with Sharon Silverman about her book Tunisian Crochet for Baby.

Washcloth Quartet.

UC: In your guest post, you mentioned some of the things you love about the look of Tunisian crochet. What about it do you find especially suited to baby projects?

Sharon: Because of their small size, baby projects aren’t too intimidating. The investment in time and materials is much less than it would be for something like an adult sweater. Baby items present a unique opportunity to learn a new skill and end up with a great finished project that can be crocheted quickly. Tunisian crochet stitch patterns seem very well suited to baby items, refreshingly different from typical double crochet fabric. I think crocheters will welcome the opportunity to try these new designs.

And with new babies entering the world all the time, crocheters always need things to make for those precious bundles! I included a variety of items to fit different skill levels, styles, and sizes from newborn through 12 months.

Mini interview with Sharon Silverman about her book Tunisian Crochet for Baby on Underground Crafter blog.

Sherbet Stripes Blanket.

UC: If a Tunisian crochet newbie was to pick up this book, what’s the first project you’d recommend to get them hooked, so to speak?

Sharon: Start with the Nursery Box and the simple stitch washcloth from the Washcloth Quartet. I would also suggest the Sherbet Stripes Blanket. It has some color changes, but the pattern itself is simple and straightforward. The matching Sherbet Stripes Hat would be a good follow-up for someone who is ready to go to the next level.

UC: And which project would you recommend for an experienced Tunisian crocheter who wants to try something new?

Sharon: The Christening Gown (with matching bonnet and booties) is a complex project with a Tunisian X-stitch pattern and some intricate shaping. For something that will be worn more often, the Zippered Hoodie will keep experienced crocheters engaged.

Mini interview with Sharon Silverman about her book Tunisian Crochet for Baby on Underground Crafter blog.

Christening Gown, Bonnet, and Booties.

UC: What else would you like us to know about Tunisian Crochet for Baby?

Sharon: All of the yarn I chose is washable. Every pattern includes written instructions and at least one symbol chart. Photo tutorials are included.

Thanks so much for stopping by Sharon! 

If you’d like to learn Tunisian crochet online, try these Craftsy classes: Online Tunisian Crochet Class and Custom-Fit Tunisian Crochet (w/ Dora Ohrenstein)!

Giveaway

Stackpole Books is giving a copy of Tunisian Crochet for Baby to one lucky reader with a U.S. mailing address! For your chance to win, check out Stackpole’s lookbook for Tunisian Crochet for Baby, and let me know which project you would make first. Then be sure to log your entry into Rafflecopter! One winner will be chosen at random. Enter by 11:59 p.m. Eastern on Tuesday, September 16, 2014.

a Rafflecopter giveaway

Interview with Carolyn Christmas

I’m so excited to share an interview today with Carolyn Christmas. Carolyn is one of the crochet designers whose work inspired me to start designing.

Interview with crochet designer and author, Carolyn Christmas, on Underground Crafter blog.

Crochet designer and author, Carolyn Christmas.

This post contains affiliate links.

Carolyn is the author of Rodale’s Visual Encyclopedia of Needlecrafts, The Portable Crafter: Crochet, and one of my all time favorite stitch guides, 101 Easy Tunisian Stitches, along with dozens of pattern books published by DRG and Leisure Arts. She is also the former editorial director and product development manager for DRG (now Annie’s), and the founding editor for Crochet! magazine. Her designs have been featured many magazines, including Crochet!, Crochet Today, and Crochet World.

Carolyn is focused on self-publishing these days, and you can find her print patterns for sale on her site, Gourmet Crochet. Her PDF patterns are available on her site here, as well as in her shops on Ravelry (where she is carolynchristmas), Etsy, and Craftsy. Carolyn also has a blog where she shares free patterns, Pink Mambo. You can also find Carolyn on the Pink Mambo Facebook page, on Pinterest, and on Twitter. All images are copyright Carolyn Christmas and shared with permission.

Interview

Circle Dance Afghan by Carolyn Christmas, interviewed by Underground Crafter

Circle Dance Afghan, free pattern by Carolyn Christmas. Click image to link to the pattern.

Underground Crafter (UC): How did you get started crocheting?

Carolyn: I’ve crocheted all my life. I remember learning to knit at age 5, and crocheting came right on the heels of that. I didn’t get serious about crocheting until I was in my teens, though.

UC: What inspired you to start designing?

Carolyn: When I was in my twenties, I found myself at home with newborn twins and a six year old. I had a lot more time on my hands than I thought I would during naptimes, and I’d always been intrigued by the idea of designing for publication. I used to study magazines at length, checking the bylines of each design, and finally decided to gather my courage and send something off. I told myself I would give it up if I hadn’t published anything by the time the girls started kindergarten. As it turned out, I was working as editorial director of a needlework publishing company by that time.

Calypso Shawlette by Carolyn Christmas, interviewed by Underground Crafter

Calypso Shawlette, a free crochet pattern by Carolyn Christmas. Click image to link to pattern.

UC: Where do you generally find your creative inspiration?

Carolyn: Everywhere and everything. Just life, really. For example, I’m working on a rug design now because I decided I needed a rug in my bedroom. I’ll be doing a lot of baby designs soon because we are looking forward to a new grandchild in November.

UC: What are your favorite crochet books (besides yours, of course) in your collection?

Carolyn: I’m inspired by designers with widely varying styles, and not all are knit and crochet desginers. I love the whimsical work of knit designers Jean Greenhowe, Alan Dart, and Jan Messent; the color work of Kristin Nicholas, the freeform work of Prudence Mapstone and many others; I also love newer designers Amy Gaines and Stacey Trock, the thread designs of Ann White and Kathryn White, the graphic style of Katherine Eng, cuteness and precision of the work of Michele Wilcox, the wonderful doll designs of elinor peace bailey and the fabric designs of her daughter-in-law, Heather Bailey. I could go on and on.

UC: Recently, you revived your blog.  What motivated you to start blogging again?

Carolyn: I decided to start the new blog, Pink Mambo, because there are a lot of designs that run through my head and off my hook that I’d simply like to share, and the blog will be a home for those. I’ve been thoroughly enjoying designing smaller things for Pink Mambo. I’m intrigued by the idea of ads supporting the blog so that I’m able financially to show the patterns for free. The blog is not self-supporting yet, but I’d love it if I could give all my patterns away at no cost. Another reason for starting the blog was that there is a big, thriving crochet blog community out there and I wanted to join in.

Surfside Bag by Carolyn Christmas, interviewed by Underground Crafter

Surfside Bag, a free crochet pattern by Carolyn Christmas. Click image to link to pattern.

UC: You’ve written books with major craft publishers, self-published print patterns, and now are selling your e-patterns on your website, and on Ravelry, Craftsy and Etsy.  Can you talk about your transition from book publishing to self-publishing and what you see as some of the advantages and challenges of self-publishing?

Carolyn: My own journey from book publishing and having a “real job” in the industry to self publishing came because I became ill and found myself at home needing to start over and redefine my goals. I had been working as product development manager at DRG when I had to leave because of my illness, and as I recuperated, I realized I wanted to spend my time creating new designs and publishing them myself.  I wanted to primarily create, rather than primarily manage people.

Self-publishing is a very freeing experience after working for mainstream publishers for years. There are a lot of new designers out there who have never known anything but self-publishing. You don’t have to send a design off and wait for weeks, sometimes months, to hear back from a publisher. You can just get it out there when it’s ready. And of course, owning the rights to your own work is a benefit that’s a whole subject in itself. One thing to remember for those who want to self-publish—you have to wear the hats of editor, copywriter, technical editor and more. Sometimes this involves hiring outside help in the form of tech editing and testing. The best thing, I think, about self-publishing is that it allows a designer to find his or her own “voice” in crochet, so to speak. You don’t have to try to design to fit the mainstream market if you don’t want to—you can design what your heart, and your own customer base, wants you to design.

Tunisian Crochet Entrelac by Carolyn Christmas, interviewed by Underground Crafter

Tunisian Crochet Entrelac, the pattern booklet by Carolyn Christmas that taught me entrelac crochet! Click image to link to pattern shop.

UC: In the past few years, you seem to be really drawn to circles, including your recent Circle Dance Afghan Crochet A Long.  What do you like about designing with this motif?

Carolyn: I love circles! I don’t know what it is exactly about circles, but I can just never get enough of them. I’m doing a series on Pink Mambo about how to crochet flat circles in several variations, and I’ll move on to doing multicolor circles with invisible beginnings and endings, and turning a circle into a square.

UC: You’ve done a lot of work with Tunisian crochet (one of my favorite crochet techniques).  How’d you get started with Tunisian and what do you enjoy most about it?

Carolyn: I got started doing Tunisian crochet in my teens. My mother and I made a lot of designs where you crochet a big swath of off-white Tunisian simple stitch, then cross stitch on it. Back then, I didn’t think about the possibilities too much and I didn’t realize the textures that could be achieved. I enjoy the nice drapey fabric that is possible with Tunisian crochet. I also love Tunisian entrelac and have done a lot of experimenting with that technique, including working it in a circle with my Giant Dahlia design. My most enjoyable Tunisian crochet experience was when my husband and I designed the Easy Tunisian hooks formerly manufactured by Annie’s. These are in really short supply now but we do have another manufacturer interested in having these made, so we’re hopeful these will plentiful again soon.

Adelaide crochet pattern by Carolyn Christmas, interviewed by Underground Crafter

Adelaide, a crochet pattern for sale by Carolyn Christmas. Click image to visit Ravelry page.

UC: Do you have any crafty websites or blogs you frequent for inspiration or community?

Carolyn: I visit Ravelry, Craftsy, Etsy and lots of blogs. I also love the color palettes at design-seeds.com. I belong to several Facebook groups and try to keep up with those.

UC: What’s next for you and crochet?

Carolyn: For the foreseeable future, I’ll be putting the bulk of my crochet energy into Pink Mambo. I just love working on it and traffic is increasing every day.

Thanks so much for stopping by, Carolyn!

Interview with Michele DuNaier

Today, I’m pleased to share an interview with crochet and knitting designer, Michele DuNaier. You may know Michele as the designer behind MAD Cap Fancies. Michele can be found on Ravelry as MADuNaier, on her designer page, and in the MAD Cap Fans group. All photos are copyright Michele DuNaier and used with permission.

This post contains affiliate links.

Michele DuNaier

Michele DuNaier.

Underground Crafter (UC): How did you first learn to crochet and knit?

Michele: My first lessons were as a child at my grandmother’s knee.  She came from a long line of knitters and crocheters; when she was young in “the Old Country” that was how the family’s clothes were made.  She could knit a thigh-length stocking in one afternoon, so she was exempt from farm work!  I would say I am more of a crocheter than a knitter, although I love both.

Ron's Skulking Cap

Ron’s Skulking Cap, a Harry Potter inspired crochet hat design by Michele.

UC: What inspired you to start designing?

Michele: After retiring, I became heavily involved in knitting and crocheting for charity.  After making over 100 hats in the space of a few months, I began to find it simpler to just design my own.  Then, when I realized Ravelry made it so easy to self-publish, I thought – why not?

Amagansett Girl

Amagansett Girl, a crochet shawl design by Michele.

UC: Where do you generally find your creative inspiration?

Michele: My inspiration comes from a variety of sources.  The seasons inspire me, of course, as well as favorite books, movies, and television shows. A lot of my designs are inspired by old Victorian patterns and doilies.  I also like to design what Ravelry friends tell me they are interested in – for example, they currently have me looking into crocheted crescent-shaped shawls.

Victorian Mantelet

Victorian Mantelet, a crocheted shawl design by Michele.

UC: Most of your patterns are self-published.  What do you see as the advantages and challenges of self-publishing?

Michele: I actually have 3 designs published in pattern books so far, and a fourth due out this July in a magazine.  I prefer self-publishing, however; it gives me the creative freedom to design whatever I like, format the pattern as I wish, include photographs, poetry, creative writing, and whatever else I want to throw in!  Plus, I am always loathe to sell away the rights to my patterns – each one seems like one of my children.  I can’t say that self-publishing contains “challenges” – more like “opportunities” to express myself as I wish.

Meg's Hug-Me-Tight

Meg’s Hug-Me-Tight, a crochet design by Michele, inspired by the 1994 adaptation of Little Women.

UC: What are your favorite things about designing?

Michele: I love the Math inherent in needlework design.  Not that I always totally understand it or can predict what will happen, but I love wrestling with it in shawl design.  I also love parts of needlework design which I did not even expect I would be doing, such as photography, design layout of the pattern file, and doing some creative writing to get things out of my mind and onto the page (or rather, the screen).  I think of my grandmother often as I crochet and knit, and wonder what she would have thought of her granddaughter’s patterns virtually traveling the world via Ravelry!

First Love

First Love, a crochet shawl design by Michele.

UC: Since you’re multi-craftual, do you have a favorite “go to” craft when you’re working on projects for yourself?

Michele: It depends on the project.  Certain types of projects seem to call for knitting, others crocheting.  But then I love to try and create a design to use the other craft instead, just to see if I can. For example, hats and baby boy sweaters just seem to me better done in knitting than crochet, so I have tried to design some in crochet just for the fun of doing it differently.

Tropical Heatwave

Tropical Heatwave, a crochet shawl pattern by Michele.

UC: From your Rav profile, it seemed like you transitioned from a life in tech to a life on a farm/homestead.  Can you tell us about this transition and how it impacted your crafty life?

Michele: I do not live on a farm or homestead, really.  I live on the edge of a forest, but did that even when I was working in the technical field.  However, the transition from work to retirement was what enabled me to have the time to begin designing.  And ironically, I found there are so many steps involved in designing and self-publishing which are similar to software design and support. Sometimes I mistakenly refer to my patterns as “programs…”

Secret Crush

Secret Crush, a knit hat design by Michele.

UC: What are your favorite crochet and knitting books in your collection?

Michele: I love Doris Chan’s Everyday Crochet: Wearable Designs Just for You and Edie Eckman’s The Crochet Answer Book: Solutions to Every Problem You’ll Ever Face; Answers to Every Question You’ll Ever Ask; I love reprints of old crochet patterns from the 1800s, as well as old doily patterns.  I also love Barbara Walker’s Treasuries of Knitting Patterns.

Daydream Shawlettes

Daydream Shawlettes, knit shawlettes designed by Michele.

UC: Are there any crafty websites you visit regularly for inspiration or community?

Michele: I am compulsively on Ravelry throughout each day, especially now that I have my own group, MAD Cap Fans.  I also frequent (all too often) websites which sell yarn, such as Jimmy Beans and WEBS

Thanks so much for stopping by, Michele! Good luck with your upcoming releases!

Interview with crochet designer, Julie Yeager

Today, I’m happy to share an interview with crochet designer, Julie Yeager. Though we’ve never met in real life, Julie and I share a love of crocheting squares and blankets, and of participating in crochet related swaps. (And, I learned from the interview that we also both grew up shopping for yarn at Woolworth’s in New York City!)

Julie can be found online on Ravelry (as JulieAnny, on her designer page, in the Julie Yeager Designs group), Facebook, and Etsy. Julie also founded and co-moderates the Vanna’s Choice Fan Club group on Ravelry, where you can exchange squares and share pictures of your Vanna’s Choice creations. All photos are copyright Julie Yeager and are used with permission.

This post contains affiliate links.

Julie Yeager

Julie Yeager.

Underground Crafter (UC): How did you first learn to crochet?

Julie: I’m honored to talk to the readers of Underground Crafter, Marie.  Thanks for having me. (UC comment: Thanks so much, Julie! It’s great to have you stop by.) I’ve been knitting and crocheting since I was about 8; learned from my Irish mom. I would buy sparkly crochet thread at Woolworth’s in the Bronx, NY and crochet clothes for my Barbies. I also made my share of granny square tote bags. I didn’t do much crafting in my 20s, maybe an occasional baby blanket, but then when I became a stay at home mom I got back into knitting and machine knitting for my daughter. When I discovered Ravelry I got into crocheting afghan squares and blankets and I haven’t stopped.

Stained Glass Afghan Square

Stained Glass Afghan Square, available as a 12″ block pattern.

UC: What inspired you to start designing? 

Julie: I’ve always changed patterns to my taste and would put together the yoke from one sweater with the sleeves from another so I guess I’ve been “designing” a little for years.
I joined some afghan square swap groups on Ravelry and perfected my technique using the patterns of many great designers. Interweave Crochet magazine and the Crochet Me website sponsored a contest in which readers could submit afghan square patterns and the winners would become part of a published pattern called the Chain Reaction Afghan Project. I just picked up my hook and started playing around and submitted a few designs. Three of my designs were chosen and appeared in Interweave Crochet in 2010 – 2011. It was very exciting and the start of my designing career. With Ravelry, I had a great tool to share my work.

Hexaghan

The Hexaghan, including 6 different hexagon designs joined together into one 61 hexagon blanket.

UC: You primarily design crocheted squares. What is it about square motifs that you enjoy designing? 

Julie: I love designing 12-inch squares in aran weight yarn and I have an obsession with Vanna’s Choice. I like the modern look of large scale stitching and I feel like a sculptor with my hook in hand. Fitting my idea into a 12-inch square and getting it to square is very satisfying. My squares are small enough to design and crochet quickly, and I enjoy writing a clear pattern that is easy to follow. I also like an unfussy and repetitive design; as a pattern-user I do not like to have to constantly refer to the instructions and I want my customers to enjoy themselves. Also, there are no fitting problems with blankets.

Catalina Afghan Square

Catalina Afghan Square, a free pattern available in both 9″ and 12″ sizes.

UC: Most of your patterns are self-published. What do you see as the advantages and challenges of self-publishing? 

Julie: With Ravelry and Paypal and a head full of ideas, it is easy and stress-free to work this business around my life. I have a full-time job as a Registered Nurse and am raising a 16-year-old, so I can write and publish patterns around my schedule. Although I would love to have my patterns in magazines and books, for now I find this a great outlet for my creativity and am very happy with how it’s going. It is not for everyone; you have to be a jack-of-all-trades and competent with designing, writing, proof-reading, and know your way around the internet. No editors or publicists on my staff, haha.

Tangled Web Afghan Block

Tangled Web Afghan Block, a 12″ square design.

UC: You’ve hosted several Mystery Crochet-a-Longs. What do you enjoy about using this format to release your patterns? Do you have any tips for designers who want to dip their toes into the MCAL waters? 

Julie: Mystery Crochet-a-Longs are a fun way to draw interest to my patterns. I am lucky to have a base of fans who trust me and are willing to blindly follow where I go! I can only do it about once a year because designing, crocheting, and writing and proofreading a pattern for a whole blanket is very time-consuming! I need a compelling idea to keep my interest through the work! My fans seem to enjoy it and it keeps them interested in my new work. It also brings new fans. I’ve kept the Mystery’ghan free for participants and then later I put the pattern up for sale. The finished projects become a marketing tool. I’m always a little nervous hoping that people will like it after they’ve invested their time and money into a “Mystery.” My only advice is that you have your pattern fully tested before you start.

Garden State Afghan

Garden State Afghan, which Julie originally offered in June, 2013 as a MCAL design, includes eight 4″ squares, four 8″ squares, and two 12″ square patterns.

UC: What are your favorite crochet books in your collection?

Julie: When I first started swapping afghan squares, Jan Eaton’s 200 Crochet Blocks for Blankets, Throws, and Afghans was my favorite. I also worked my way through a few other square reference books, like 101 Crochet Squares by Jean Leinhauser. I love Edie Eckman’s Around the Corner Crochet Borders for finishing after I have a pile of squares to join! I sometimes use The Crochet Stitch Bible by Betty Barnden for stitch inspiration. I try to invent my own stitches these days!

Sun Catcher Afghan Square

 

Sun Catcher Afghan Square, a 12″ block.

UC: Are there any crafty websites you visit regularly for inspiration or community?

Julie: I am a Ravelry addict and check in there several times a day. I like to check the Hot Right Now pattern list and I also check in with my group to see if anyone has any questions or if anyone has posted an awesome photo. :)

In Treble Afghan Square

In Treble Afghan Square, a 12″ block.

UC: What projects do you have coming up this year?

Julie: I am currently working on the pattern for my next Mystery-Ghan and hope to have that ready for a June 2014 start. Stay tuned to my Ravelry board for information on that. Clues will be given out over a six-week period and you will have a complete afghan finished!

Thanks again for stopping by, Julie, and I wish you and your fans the best for a fun summer Mystery-Ghan!

Interview with Viola E. Sutanto, Author of Packaging Your Crafts & Giveaway

This post contains affiliate links.

Today I’m sharing an interview with Viola E. Sutanto, a graphic artist and product designer. Viola’s new book, Packaging Your Crafts: Creative Ideas for Crafters, Artists, Bakers, & More,  explores different materials and techniques that can be used to design pretty packaging for your handmade goodies. Using artisan profiles, tutorials, and plenty of pictures, she shares a ton of packaging inspiration with her readers.

Viola can be found online at the MAIKA website, and on FacebookInstagramPinterest, and as @MaikaGoods on Twitter. All photos are from Packaging Your Crafts and are used with permission.

Viola Sutanto

Viola Sutanto.

Underground Crafter (UC): Tell us about your businesses, chewing the cud and MAIKA. What inspired you to launch them?

Viola: When I first started my studio (chewing the cud), I was working on mostly branding and identity projects, but since then, the studio has evolved into a creative space and our services encompass brand strategy, product development in addition to graphic design. There was a need to differentiate the service business with our own product line, hence the MAIKA brand was born. As the parent company, chewing the cud will continue to evolve and expand in terms of the services and products it will bring to market, but at the heart of every project, I hope it will remain true to being a sustainable and creative think tank.

Designing Your Packaging

Printed fabric drawstring bag by Soma Intimates.

UC: You come from a long line of entrepreneurs. What did you learn from growing up around entrepreneurs, and how did it motivate you to become one yourself?

Viola: Trust your gut and take calculated risks. Timing is everything. Know that it’s ok to fail. That’s how you learn. These are all qualities I learnt (and am still learning), growing up around entrepreneurs. Watching them fail, get up and try again is truly inspiring. As inspiring as watching and learning from their successes.

Working with eco friendly fabrics

Hand-printed market bag with kraft card, hang tag by Nicole James, Yardage Designs.

UC: You recently published your first book, Packaging Your Crafts. What was the development process like for this book?

Viola: Like the saying goes, it takes a village. The team at RotoVision and Lark Crafts were instrumental in solidifying the book concept, and providing continual support throughout the process. It was fun to work together with my husband (also a designer) on the tutorials. He shot all the photos for the tutorials, and it was great fun collaborating with him.

UC: Why do you think packaging is so important for artisans and crafters?

Viola: Presentation is key. It can enhance the perceived value of your product and ultimately, your brand.

UC: What tips can you share for crocheters and knitters who are packaging their (often unusually shaped) projects as gifts?

Viola: Fabric packaging options such as cloth wraps or bags work well for unusually-shaped items. Boxes are also a great option as the item is protected, and makes wrapping that much easier. If the item is “fragile”, wrap it with tissue or papers first, before inserting into the box. All of these packaging materials can easily be embellished using stamps or stencils (see tutorials in the book) so they are “gift-ready”. Even adding a simple element like a pretty hangtag makes the item immediately more personal and gift-like.

Designing Your Packaging 3

Fabric bags by Amie Nilsson, Merino Kids.

UC: What crafts do you personally enjoy? How did you learn/get started?

Viola: There isn’t really a specific craft per say. I enjoy working with ink, paper and fabrics, and have a lifelong love affair with hand-lettering. But I have a 3-year-old daughter, so these days, many of our craft projects involve fishing household items out of our recycling bin and making something “creative” out of them. Monsters, rainbows, fairies, castles… you name them. I’ve been tagging these projects on Instagram with #lifewitha3yearold.

Designing your packaging 2

Inkjet-printed kraft bellyband by Christopher MacManus, Bittle & Burley.

UC: Are there any crafty websites/blogs you visit regularly for inspiration or community?

Viola: Honestly, with time being a scarcity these days, I rarely visit blogs anymore. However, I will own up to the guilty pleasure of browsing on Pinterest for some eye candy!

Ribbons

Fabric bundles tied with ribbon.

UC: What’s next for you?

Viola: This year, my goal is to keep building the MAIKA brand and expanding the product line. Other client projects include consulting on store design and strategy, and product development. On the personal front, we are moving to a new house, so I’ve been happily working on designing our new nest. Let’s just say, making home decor decisions with a partner who is also a designer is no easy feat!

Thanks for joining us Viola!